Today, Goodman Theatre achieves a new milestone in its 100th anniversary season: Walter Artistic Director Susan V. Booth and Executive Director John Collins announce that Iceboy! or The Completely Untrue Story of How Eugene O'Neill Came to Write "The Iceman Cometh" starring Emmy Award winners Megan Mullally and Nick Offerman with music by Mark Hollmann, lyrics by Mark Hollmann and Jay Reiss, and book by Erin Quinn Purcell and Jay Reiss, has become the theater's all-time best-selling production. Running at 99% capacity, Iceboy! has welcomed more than 53,000 audience members from across the nation and 23 countries—breaking previous top attendance records held by War Paint (52,851 in 2016) and The Who's Tommy (50,980 in 2023)—with two weeks remaining in its three-time extended run. This success joins that of the downtown debut of Raven Theatre's Octet (extended through August 2) and the improv stand TJ & Dave (tonight, July 31, August 1)—both of which have gone clean. In addition, free outdoor performances of the family-friendly The Lizard y El Sol have drawn record crowds—more than 1,200 people—during the first week of its 12-park tour with destinations from Ashburn Park to Norwood Park, prompting a four-performance extension at Chicago Public Libraries (Little Italy, Uptown, Altgeld Gardens and McKinley Park). The Goodman's productions of Dennis Watkins' The Magic Parlour and David Byrne and Mala Gaonkar's Theater of the Mind continue extended runs. For tickets and more information about each offering, visit GoodmanTheatre.org.

"This week alone, The Goodman will serve 13,000 Chicagoans with programs in neighborhoods all over the city. This is The Goodman at 100, meeting audiences in this moment, and we could not be more proud," said John Collins, Executive Director. "By design, the goal of this Centennial Season—expertly curated by Susan Booth and executed by our world-class Artistic, Education and Engagement, Production and Administrative teams—was to push past what was previously thought possible in order to serve more audiences, in more neighborhoods with more programs than ever before. As we look to begin 'our second century' this fall, we hope to build on this success achieved together with our audiences and supporters." 

Iceboy! or The Completely Untrue Story of How Eugene O'Neill Came to Write "The Iceman Cometh," appears in the 856-seat Albert Theatre through August 16. For tickets ($74 - $259, subject to change) call 312.443.3800 (12 noon- 5pm) or purchase online at GoodmanTheatre.org/Iceboy. Looking for tickets to a sold-out performance? A limited number of $75 stand-by tickets are available for purchase on the day of performance (by telephone only). Additionally, a limited number of $20 tickets are offered through a daily lottery; visit TodayTix.com/Iceboy for details. The Goodman is grateful for the support of its Iceboy! sponsors: Edgerton Foundation (New Play Award), Mayer Brown (Lead Corporate Sponsor) and Athletico (The Official Physical Therapy Provider for Goodman Theatre).

In Iceboy!, Broadway's brightest star of 1939, Vera Vimm (Megan Mullally), is at the top of her game. But when she adopts a 40,000-year-old Neanderthal discovered frozen in the Arctic, the spotlight begins to shift. As Iceboy (Grey Henson) thaws, he unexpectedly becomes a theatrical sensation, inspiring the "father of the American drama" Eugene O'Neill (Nick Offerman) and challenging Vera for center stage. A "highly original, frothy nightcap to a Centennial Season of successful productions, and a nice way to kick off The Goodman's next act" (Newcity), Iceboy! features music by Mark Hollmann, lyrics by Mark Hollmann and Jay Reiss, and book by Erin Quinn Purcell and Jay Reiss—the Tony Award-winning creators behind Urinetown (Hollmann, with Greg Kotis) and The 25^th Annual Putnam County Spelling Bee (Reiss, with Rachel Sheinkin and William Finn). Marc Bruni directs and JoAnn M. Hunter choreographs. The cast also includes Cedric Yarbrough (Comedy Central's Reno 911!), Tony Award nominee Sarah Stiles (Broadway's Tootsie) and Alex Goodrich (Marriott Theatre's Hero: The Musical), together with Donterrio (Nightbirds), Melanie Brezill (A Christmas Carol), Will Koski (Paramount Theatre's Into the Woods), Linda Mugleston (Broadway's The Music Man), Shawn Pfautsch (The Matchbox Magic Flute), Andrea San Miguel (The Penelopiad), Will Lidke (Theo Ubique's Hedwig and the Angry Inch), Leah Morrow (Marriott Theatre's Heartbreak Hotel) and Jeff Parker (Betrayal).

ABOUT THE ARTISTS

Megan Mullally (Vera Vimm) created the role of Karen Walker on Will & Grace, a role for which she went on to win two Emmys and four SAG awards. On Broadway, she has starred in How to Succeed in Business, Young Frankenstein, and Grease, in addition to Guys and Dolls at Carnegie Hall, opposite Nathan Lane. On-screen credits include Chasing Summer, Dicks: The Musical, The Righteous Gemstones, Party Down, Reservation Dogs, Bob's Burgers, Childrens Hospital, Parks and Recreation, and the upcoming film Goodbye Girl. She tours worldwide with her band Nancy And Beth as creator, lead singer and choreographer.

Nick Offerman (Eugene O'Neill) returns to The Goodman, where he debuted as The Keeper/Fight Captain in Richard II (1994). Offerman's credits include the Emmy award-winning role of Bill in The Last of Us (HBO), Ron Swanson on NBC's Parks and Recreation, Forest in Devs (FX), and Jinx in Margo's Got Money Troubles (Apple). Stage credits: A Confederacy of Dunces (Huntington Theatre), Annapurna, opposite Megan Mullally (The Odyssey/Evidence Room in LA & Off-Broadway), and Chicago credits at Defiant Theatre (Founding Member), Steppenwolf, A Red Orchid, Wisdom Bridge and Chicago Shakes. Recent: Death by Lightning (Netflix), Sovereign, Civil War (by Alex Garland), Origin (by Ava DuVernay), Mission: Impossible - The Final Reckoning, Fargo (FX), The Umbrella Academy (Netflix), and NBC's Making It. He hosts the WNYC radio series A Wonder Is What It Is, dedicated to the poetry of Wendell Berry.

Grey Henson (Iceboy) was most recently seen as Bigfoot in Bigfoot! The Musical Off-Broadway, for which he earned a Drama League Award nomination. Broadway credits include Buddy in the 2024 revival of Elf The Musical (Drama Desk Award nomination), Damian in Mean Girls The Musical (Tony and Drama Desk nominations), Storyteller 2 in Shucked, and Elder McKinley in The Book of Mormon, a role that he originated on the first national tour. Other credits include Michael in tick, tick... BOOM! at the Kennedy Center and Tate in the Netflix series Girls5Eva. Carnegie Mellon University Drama.

Cedric Yarbrough (Floyd Richards) is a multi-hyphenate performer recently seen in Clint Eastwood's latest film Juror #2, the Netflix film Unfrosted and the AMC series Lucky Hank. He starred in ABC's Speechless, The Goldbergs, CBS' Carol's Second Act, Curb Your Enthusiasm and Key and Peele. The Minnesotan began his career with 8 seasons of Comedy Central's hit Reno 911! as "Deputy S. Jones." He was seen in The 40-Year-Old Virgin, The House, The Boss and Black Dynamite. Yarbrough is also a talented voice-over artist whose work includes Bob's Burgers, Family Guy, Bojack Horseman, Kung Fu Panda 4 and the Peabody Award-winning The Boondocks.

Sarah Stiles (Lambert) is a two-time Tony Award-nominated actor for Tootsie and Hand to God. Other Broadway: On a Clear Day You Can See Forever, Avenue Q and The 25th Annual Putnam County Spelling Bee. Off-Broadway: The Imaginary Invalid (Red Bull); Into the Woods (Delacorte); Vanities (Second Stage). Stiles stars opposite Kevin James in the Netflix comedy The Crew, is Gladys in the critically acclaimed EPIX Original Series Get Shorty and Bonnie on Showtime's Billions. She voices Spinel in Steven Universe (Cartoon Network) and Mimzy in Hazbin Hotel (Amazon). Film: Transformers: Rise of the Beast, This Will Never Work, Unsane. 

Alex Goodrich (Frankenstein) is thawed to make his Goodman Theatre debut! Chicago credits include several shows at Court Theater, Marriott Theater, Chicago Shakespeare, Northlight, Royal George, Drury Lane and Writers Theater. He's been nominated several times for a Jeff award and won once. TV credits include Chicago Fire and Shining Girls on Apple TV+. 

Mark Hollmann (Music and Lyrics) won the Tony Award®, the Obie Award, and the National Broadway Theatre Award for his music and lyrics to Urinetown The Musical, which went from the 1999 New York International Fringe Festival (FringeNYC) to receive 10 Tony Award® nominations and 11 Drama Desk Award nominations and win the Outer Critics Circle, the Drama League and the Lucille Lortel Awards for best musical.  His other shows as composer/lyricist include The Sting (Paper Mill Playhouse), ZM (Village Theatre Beta Series), Yeast Nation (FringeNYC), Bigfoot and Other Lost Souls (Perseverance Theatre), and The Girl, The Grouch and The Goat (University of Kansas Theatre and Chance Theatre).  For TV, he has written songs for the Disney Channel's Johnny and the Sprites.  He received his A.B. in music from the University of Chicago, where he won the Louis J. Sudler Award in the Performing and Creative Arts.  He has taught at Princeton University, Columbia College Chicago and the Dramatists Guild Institute.  He is a member of the American Society of Composers, Authors, and Publishers (ASCAP) and the Dramatists Guild of America, and has served on the council of the Dramatists Guild as well as on the Tony Award® Nominating Committee. 

Jay Reiss (Book and Lyrics) is one of the creators of The 25th Annual Putnam County Spelling Bee, which won two Tony awards, and made his Broadway acting debut as the Bee's word pronouncer, Vice Principal Douglas Panch. He co-wrote the screenplay for The Oranges, which premiered at the Toronto Film Festival, and starred Hugh Laurie, Allison Janney, Oliver Platt and Catherine Keener. He wrote the documentary New Wave: Dare To Be Different, about legendary NY radio Station WLIR. It premiered at the Tribeca Film Festival and later on Showtime. Reiss is a graduate of The Juilliard School's playwriting program. 

Native Illinoisan Erin Quinn Purcell (Book) has been a mainstay in New York's downtown theater scene for more than 30 years. She was one of the founding members of the critically acclaimed adobe theatre company, and participated as an actor, writer and/or director in countless productions. Writing credits include Duet! A Romantic Fable (Broadway Play Publishing), The Fiona Apple Kwanzaa Explosion (PSNBC), the musical A Fish Story (Jonathan Larson Foundation award) and the Russ Meyer inspired Go-Go Kitty, Go! (Outstanding Play, 2005 New York Fringe Festival). 

Marc Bruni (Director) helmed The Great Gatsby (Broadway, West End, Korea) as well as the Tony, Grammy, and Olivier Award-winning Beautiful: The Carole King Musical (Broadway, West End, US and UK Tours, and in Australia- Helpmann Award Best Director). Other credits include Billie Jean (Chicago Shakes), The Sound of Music (Chicago Lyric), Bull Durham (Paper Mill), A Little Night Music (Geffen Hall), Trevor: The Musical (Stage 42, Disney+), Bye Bye Birdie, Guys and Dolls, The Music Man, How to Succeed in Business..., 50 Years of Broadway (Kennedy Center), and Hey, Look Me Over!, Paint Your Wagon, Pipe Dream and Fanny (City Center Encores!), Tale of Despereaux (Old Globe, Berkeley), Love All (La Jolla), The Explorers Club (MTC), Ordinary Days (Roundabout), 9 shows for the St. Louis MUNY.  

Company of Iceboy! or The Completely Untrue Story of How Eugene O'Neill Came to Write The Iceman Cometh

Music By Mark Hollmann

Lyrics by Mark Hollmann and Jay Reiss

Book by Erin Quinn Purcell and Jay Reiss

Directed by Marc Bruni

Choreographed by JoAnn M. Hunter

Alex Goodrich...Frankenstein 
Grey Henson... Iceboy 
Megan Mullally...Vera Vimm 
Nick Offerman...Eugene O'Neill
Sarah Stiles...Lambert 
Cedric Yarbrough...Floyd Richards
Donterrio, Melanie Brezill, Will Koski, Linda Mugleston, Shawn Pfautsch, Andrea San Miguel...Ensemble 
Will Lidke, Leah Morrow, Jeff Parker...Swing

CREATIVE TEAM

Set Designer...Paul Tate dePoo III 
Lighting Designer...Jen Schriever 
Costume Designer...Linda Cho 
Wig & Hair Designer...Charles "Chuck" LaPointe 
Sound Designer...Connor Wang 
Music Director/Conductor/Pianist/Additional Arrangements...Vadim Feichtner 
Orchestrations...Bruce Coughlin 
Music Preparation...John Blane 
Voice & Dialect...Michelle Lopez-Rios 
Violence & Intimacy...Chels Morgan 
Associate Director...Keira Fromm 
Associate Sound Designer...Emily Hayman 
Associate Choreographer...Liz Ramos 
Associate Costume Designer...Patrick Bevilacqua 
Associate Wig & Hair Designer/Makeup Designer...Rachael Geier 
Associate Lighting Designer...Paul Vaillancourt 
Associate Set Designer...Kaitlyn Peterson 
Assistant Director...Lo Williams 
Assistant Music Director and Cover Conductor...Jo Ann Daugherty 
Music Assistant...Jordan Klein 
Assistant Sound Designer...Emily Lynch 
Assistant Lighting Designer...Emma Berry
Assistant Set Designer...Ben Hirschfield
Script and Production Assistant...Molly Rosen 
Production Assistant...Tuesday Thacker 
Line Producer...Malkia Stampley 
Second Line Producer...Adam Belcuore

Casting by Lauren Port, CSA and NY Casting by Jim Carnahan, CSA and Jason Thinger, CSA. Jennifer Gregory is the Production Stage Manager. Nikki Blue and Beth Koehler are the Stage Managers.

ABOUT THE GOODMAN

Since 1925, The Goodman has been more than a stage. A theatrical home for artists and a gathering space for community, it's where stories come to life—bold in artistry and rich in history, deeply rooted in the city it serves.

Led by Walter Artistic Director Susan V. Booth and Executive Director John Collins, The Goodman sparks conversation, connection and change through new plays, reimagined classics and large-scale musicals. With distinctions including nearly 200 world or American premieres, two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, The Goodman is proud to be the first theater to produce all 10 plays of August Wilson's "American Century Cycle." In addition, the theater frequently serves as a production partner—with national and international companies to Chicago's Off-Loop theaters—to help amplify theatrical voices.

But The Goodman believes a more empathetic, more connected Chicago is created one story at a time, and counts as its greatest legacy the community it's built. Generation-spanning productions and programs offer theater for a lifetime; from Theater for the Very Young (plays designed for ages 0-5) to the long-running annual A Christmas Carol, which has introduced new generations to theater over five decades, The Goodman is committed to being an asset for all of Chicago. Education and Engagement programs led by Clifford Director of Education and Engagement Jared Bellot and housed in the Alice Rapoport Center use the tools of theater to spark imagination, reflection and belonging. Each year, these programs reach thousands of people (85% from underserved communities) as well as educators, artists and lifelong learners across the city.

The Goodman stands on the unceded homelands of the Council of the Three Fires—the Ojibwe, Odawa, and Potawatomi Nations—and acknowledges the many other Nations for whom this land now called Chicago has long been home, including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo, and Mascouten. The Goodman is proud to partner with the Gichigamiin Indigenous Nations Museum (Gichigamiin-Museum.org) and the Center for Native Futures (CenterForNativeFutures.org)—organizations devoted to honoring Indigenous stories, preserving cultural memory, and deepening public understanding.

The Goodman was founded by William O. Goodman and his family to honor the memory of Kenneth Sawyer Goodman—a visionary playwright whose bold ideas helped shape Chicago's early cultural renaissance. That spirit of creativity and generosity endures today. In 2000, through the commitment of Mr. Goodman's descendants—Albert Ivar Goodman and his late mother, Edith-Marie Appleton—The Goodman opened the doors to its current home in the heart of the Loop.

Marsha Cruzan is Chair of the Goodman Theatre Board of Trustees; Diane Landgren is Women's Board President; and Kelli Garcia is president of the Scenemakers Board for Young Professionals. 

Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia, along with Broadway In Chicago announced today that Tony Award® winner J. Harrison Ghee will star as “Mary Todd Lincoln” when Oh, Mary! comes to Chicago for a strictly limited engagement from January 19— February 7, 2027, at Broadway In Chicago’s CIBC Theatre. Additional casting will be announced in the coming months.

Reservations for groups of 10+ are available now by emailing This email address is being protected from spambots. You need JavaScript enabled to view it. or calling 312-977-1710. Additional fees apply for online purchases. Individual tickets, with a select number of premium seats available, will go on sale to the public at a later date but audiences can register online at https://cloud.response.broadwayinchicago.com/oh-mary-email-sign-up to receive first access when tickets become available. Subscribers may add tickets to their subscription by clicking here  or calling (312) 977-1717. For more information, visit www.BroadwayInChicago.com.

“I have seen Oh, Mary! three times and relished the beauty of this show—how different people shine so brightly in these roles, and yet you see the influence of Cole all over the production. The opportunity to get a crack at Mary Todd Lincoln is beyond a dream come true,” said J. Harrison Ghee. “We all possess so much within us. If we surrender to circumstances, we will find the possibility for expansion beyond belief. We are going to set the road on fire with this electrifyingly hilarious play.”

Written by Tony and Olivier Award winner Cole Escola and directed by Tony Award winner Sam Pinkleton, Oh, Mary! opened on Broadway on July 11, 2024, and continues to play at the Lyceum Theatre, where it became the first show in the theatre’s 121-year history to gross more than $1,000,000 in a single week.

Oh, Mary! has since broken its own box office record thirteen times and became the first show of the 2024-25 Broadway season to recoup its investment. Oh, Mary! opened to rave reviews in London’s West End on December 18, 2025, and won the 2026 Olivier Award for Best New Entertainment or Comedy Play.

Oh, Mary! is a dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln through the lens of an idiot (playwright Cole Escola).

The full creative team includes dots (Scenic Designer), Holly Pierson (Costume Designer), Cha See (Lighting Designer), Daniel Kluger (Sound Design and Original Music), Drew Levy (Sound Designer), Leah J. Loukas (Wig Designer), Addison Heeren (Props Supervision), and David Dabbon (Musical Arrangements). Casting by Henry Russell Bergstein, CSA.

Oh, Mary! is produced by Kevin McCollum & Lucas McMahon and Mike Lavoie & Carlee Briglia with Bob Boyett, The Council, Jean Doumanian Productions, Nicole Eisenberg, Jay Marcus & George Strus, Irony Point, Richard Batchelder/Bradley Reynolds, Tyler Mount/Tommy Doyle, Nelson & Tao, Palomares Miller & Rosenberg, and ShowTown Productions.
 

WHAT PEOPLE ARE SAYING ABOUT OH, MARY!

“You’ll be losing your mind with joy.” —The New York Times, Critic’s Pick

"The funniest show on Broadway.” —New York Post

“★★★★★ The funniest play in years. Oh, Mary! is dizzyingly, breathtakingly funny, the kind of funny that ambushes your body into uncontained laughter.” —Time Out New York

“A singular work of virtuoso comedy that is as inventive and shrewd as it is absolutely stupid.” —The Daily Beast

“There’s funny, there’s very funny, and then there’s Oh, Mary!” —Deadline

“80 minutes of almost uninterrupted laughter. A work of genius.” —The Hollywood Reporter

“Unquestionably the funniest, gayest, campiest play Broadway has seen in years.” —Variety

“Oh, Mary!‘s sharp writing, breakneck pace, and campy performances keep the theater in hysterics until the curtain falls.” —Queerty
 

CONNECT WITH OH, MARY!
@OhMaryPlay
OhMaryPlay.com

Lake Forest’s Citadel Theatre has announced the full cast and crew for its season opener - the satirical comedy EUREKA DAY, which examines the frequently contradictory practices of a fictional, highly progressive private school located in Berkeley, California. The play, which premiered in Berkeley in 2018, deals with topical subjects like vaccinations, privilege, and communication, utilizing sharp wit, farce, and intense dialogue to create laughter. It was produced on Broadway in the 2024-25 season and won the 2025 Tony Award for Best Revival of Play. Scott Westerman, the director of such Citadel hits as MISERY, A JUKEBOX FOR THE ALGONQUIN, THE MOUSETRAP, THE CHRISTIANS, and SEX WITH STRANGERS, will direct. 

Leading Westerman’s cast as Don, a member of the school’s board who tries to keep the peace when the debate over whether or not the school should require vaccinations becomes heated, will be Steve McDonagh, who recently earned raves for his performance as “Man in Chair” in Theo Ubique’s THE DROWSY CHAPERONE. The school’s founder, Suzanne, will be played by Jennifer Ruffner, seen earlier this year in Citadel’s ADMISSIONS. Cast as Carina, the parent of a black student at the school, is Alexis Primus, who appeared in TUTA Theatre’s THE LONG CHRISTMAS DINNER in 2024 and 2025. Ethan Check, of 2023’s GODS AND MONSTERS at Theater Wit, has the role of Eli, a stay-at-home dad. Carmen Liao (Raven Theatre’s A DOLL’S HOUSE) will be Meiko – a single mother who deeply opposes vaccinations.  Kristin Weed, seen recently on the North Shore in HAIRSPRAY with Uptown Music Theatre, will play Winter – one of the parents on the school’s executive committee. Understudies are Jason Clark (u/s/ Don), Amy Yulish (u/s Suzanne), Kristin Weed (u/s/ Carina), Austin Rambo (u/s/ Eli), and Stephanie Fongheiser (u/s/ Meiko).

The production team is Scott Phelps (Producer), Ellen Phelps (Producer), Kate Espinoza (Stage Manager), Bob Knuth (Set Design), kClare McKellaston (Costume Design), Jodi Williams (Lighting Design), Petter Wahlbäck (Sound Design), Mitchell Pollitt (Master Carpenter), Randy Rozler (Properties Design), Kira Nutter (Intimacy Director), Devon Carson (Assistant Director), Kristin Weed (Run Crew).

Season subscriptions are available for the full four-show season at $140.00, or as flex passes that can be used for the patron’s choice of either three shows for $115.00 or two shows for $80.00. Preview flex passes are also available for $45 (two shows), $55 (three shows), or $65 (four shows). Subscriptions and single tickets priced at $50 (plus ticketing fees) are now on sale at www.citadeltheatre.org.

Citadel Theatre is in residence in the West Campus of the Lake Forest School District at 300 S. Waukegan Road, Lake Forest. Further information and ticketing is available on the company’s website at www.citadeltheatre.org.

LISTING INFORMATION

EUREKA DAY

By Jonathan Spector

Directed by Scott Westerman

Friday, September 11 – Sunday, October 11, 2026

(Preview September 9 at 7:30 pm)

Thursdays, Fridays and Saturdays at 7:30 pm, Sunday matinees at 3 pm, Wednesday matinees at 1 pm on September 16 and 30. Understudy performance Wednesday, September 30 at 6:30 pm.

No performances Friday, September 18; Friday, October 2; or Saturday, September 26.

Preview ticket prices $27.15 including ticketing fee. Regular run prices $53.40 including  ticketing fee. Discounts available for groups, seniors and students.

Citadel Theatre, located in the West Campus building of the Lake Forest School District, 300 S. Waukegan Rd., Lake Forest, IL. 60045

Tickets available online at www.citadeltheatre.org or by phone at 847-735-8554, ext. 1

In this hilarious 2025 Tony Award-winning satire, an elite private school is thrown into crisis when a mumps outbreak divides parents and board members over vaccines. As debates intensify and facts grow slippery, every solution only deepens the conflict. EUREKA DAY asks us to fully recognize the humanity of those we disagree with.

BIOS

Scott Westerman (Director) makes, does, and teaches theatre and film in and around Chicago. At Citadel, he has directed MISERY, A JUKEBOX FOR THE ALGONQUIN, THE MOUSETRAP, THE CHRISTIANS and SEX WITH STRANGERS. Scott is the founding Artistic Director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between theatre and film. He created and directed the web series HAMLET & OPHELIA which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards, and Best Mobile Series at the 2022 New Media Film Festival. Scott has directed stage productions for The Artistic Home, ChiArts, City Lit Theatre, Chimera Theatre Company, Citadel Theatre, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge), National High School Institute (Cherubs), and Reverie Theatre Company. Scott is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group, and a teaching artist with Writers Theatre and The Theatre School at DePaul University. He has an MFA from The Shakespeare Theatre Academy. As an actor, Scott has worked with Chicago Shakespeare Theatre, Lookingglass, Northlight, The Shakespeare Theatre and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina, and the Barter Theatre in Virginia to name a few. On Camera credits include MACHINE GUN PREACHER, PRISON BREAK, and HEIST 88. More about Scott can be perused at www.ScottWesterman.org.

Jonathan Spector  (Playwright) is a Tony Award-winning playwright based in Oakland, California, whose work has been produced on and off-Broadway, regionally and internationally. His plays include EUREKA DAY (2025 Best Revival: Tony Award, Drama Desk Award, Drama League Award & Dorian Award); THIS MUCH I KNOW (Edgerton Award, Glickman Award, BATCC Award); BIRTHRIGHT; BEST AVAILABLE; SIESTA KEY; and GOOD. BETTER. BEST. BESTED. Jonathan’s work has been produced with Manhattan Theatre Club, the Old Vic/Sonia Friedman Productions, Pasadena Playhouse, Hampstead Theatre, Miami New Drama, Colt Coeur, Theater J, Syracuse Stage, Asolo Rep, Aurora Theatre, Marin Theatre and Mosaic Theater, among others. He has been a MacDowell Fellow, Playwrights Foundation Resident Playwright, TheatreWorks Core Writer, Playwrights Center Core Writer, SPACE on Ryder Farm Resident and PlayPenn Haas Fellow. Jonathan is currently under commission with Manhattan Theatre Club, Roundabout Theatre Company and La Jolla Playhouse.

Scott Phelps (Artistic Director) is in his 24th year as the Artistic Director at Citadel. He’s acted in and directed dozens of Citadel productions for over two decades since founding this North Shore theatre in 2002 with his friend and lifelong companion, Ellen. In 2025, Scott co-starred with Ellen in MISERY, and the two played husband and wife in 2023’s THE CHRISTIANS. He has acted/directed in NYC, and in his home state of California; trained as an actor at the Pacific Conservatory of the Performing Arts in Santa Maria, CA; received his BFA from the University of Utah and did an apprenticeship at the Actors Theatre of Louisville. For 18 years Scott worked for a promotional company and raised his three daughters and his son in Lake Forest. Recently he has been taking on the next chapter of his life — the role of “Beepa” to his grandchildren. Although he is unsure if he is old enough to play that part, he’s been enjoying the challenge.

Citadel Theatre is one of Chicagoland’s premier live theatres, producing hundreds of performances annually and inspiring audiences for nearly 24 years. Founded by Scott and Ellen Phelps in 2002, Citadel Theatre is comprised of its Main Stage performances and its theatre acting classes for children. A proud member of the League of Chicago Theatres and the Lake Forest/Lake Bluff ArtsLink, Citadel Theatre offers a unique intimate theatre experience that transports you to another setting and leaves you feeling exhilarated and wanting more. A recognized 501(c)3 non-profit organization, Citadel can accept tax-deductible donations. For more information, ticketing, and to donate, please visit Citadel online at www.CitadelTheatre.org or call 847.735.8554.

Rivendell Theatre Ensemble, Chicago's only professional theater that seeks to advance women through the power of storytelling, announces the cast for the final world premiere of its 30th Anniversary season, Bonnie's Last Flight by Eliza Bent (The Regulars, Karen, I Said), directed by Rivendell Ensemble member Devon de Mayo (The Tasters, Laura and the Sea & Scientific Method). Bonnie's Last Flight runs September 12 – October 17, 2026, as part of Rivendell's 30^th Anniversary Season of new plays. 

The 30^th Anniversary Season takes place at Rivendell's home, 5779 N. Ridge Avenue in Chicago. Tickets are $28 for previews and $38 for regular performances. Angel and Sponsor tickets are $58 and $88 and include a donation. Discounts are available for seniors, students, and military. Tickets and more information at rivendelltheatre.org/bonnieslastflight or (773) 334-7728.

It's Jan's retirement flight. Everyone knows, except for Greig, Jan's best friend and coworker of many years. As Greig waxes nostalgic, Jan worries about life post-retirement. LeeAnne, a klutzy newbie flight attendant with a dark past, must avoid her ex on the plane while Captain, a waggish pilot with a weakness for Bloody Marys, is caught in a love triangle. Erik, the co-pilot with a heart of gold, can't get a word in edgewise. Presiding over the flight is the OG of travel: Mark Twain.

In a comedy set on everyone's least favorite mode of transit, we must reckon with our crew's dreams and regrets and ask ourselves: What does it take to really start living?

Artistic Director Tara Mallen comments, "The final production in our 30th anniversary season, Bonnie's Last Flight, is exactly the kind of groundbreaking new work we champion at Rivendell. Eliza Bent's quirky comedy helmed by longtime ensemble member Devon de Mayo features an extraordinary cast anchored by four of Rivendell's most gifted ensemble members and joined by the multi-talented actor, playwright and Tony Award-winning producer Paul Oakley Stovall. We are delighted to introduce Eliza's fresh and singular voice to Chicago audiences and share this wonderfully offbeat play that reminds us that it's never too late to chart a new course."

This world premiere production of Bonnie's Last Flight features ensemble members Rebecca Spence, Eric Slater, Jessica Ervin, and Glenn Obrero, with Paul Oakley Stovall.

Rivendell's 30th Anniversary Season is sponsored by Sharon I. Furiya.

FACTS / Bonnie's Last Flight

Bonnie's Last Flight

A world premiere by Eliza Bent

Directed by Devon de Mayo

September 12 – October 17, 2026

Creative Team: RTE members Regina García (Scenic Design) and Tanya Palmer (Dramaturg) with Saawan Tiwari (Costume Design), Garrett Bell (Lighting Design), and Satya Chávez (Sound Design). The Production Stage Manager is Anna Vu and Mia Maccarella is Asst. Stage Manager.

Dates:

Previews: September 12-19, 2026

Saturday, September 12 at 8pm

Sunday, September 13 at 3 pm

Thursday, September 18 at 8pm

Friday, September 19 at 8pm

Saturday, September 19 at 8pm

Gala Opening: Sunday, September 20 at 6pm

Regular Run: September 24 – October  17, 2026

Thursday-Saturday at 8pm; Saturday at 4pm

Added Sunday Matinees: September 13 & October 11 at 3pm

Industry Performance: Monday, September 28 at 8pm

Open Captioned performances:

Saturday October 10 at 4pm

Saturday October 17 at 4pm

About the Artists

Eliza Bent (Playwright) is the love-grandchild of Lily Tomlin, Pee Wee Herman, and Mr. Peanut. Bentertainments include plays (The Regulars), solo pieces (Karen, I Said, which the New York Times described as a "wicked satire"), adaptations, and hybrid affairs. Bent's works have been developed, workshopped, and produced at the Abrons Arts Center, JACK, the New Ohio, the Atlantic Theatre, the Bushwick Starr and New York Theatre Workshop's Next Door Series. Residencies: MacDowell, SPACE on Ryder Farm, New Georges, Target Margin Institute Fellow, Goodman Theatre Playwrights Unit. Bent's short film Summer's Last Swim was an official selection for Downtown LA's 2023 Film festival and a Chicago Filmmakers Best LGBTQ+. As a performer Bent has toured internationally with the Obie-award winning ensemble Half Straddle and Bent's stand-up special Penguin in Your Ear has bowed at the Brick in Brooklyn, the Elysian in LA, Crashbox in LA, Color Club in Chicago and Benson Theatre in Omaha, NE. A perennial guest of the Great Plains Theatre Commons, Bent has a BA in philosophy from Boston College and MFA in playwriting from Brooklyn College. Currently on faculty at Northwestern University's Radio TV & Film department.

Devon de Mayo (Director) is thrilled to be back at Rivendell where she has been an ensemble member since 2019 and has directed The Tasters, Laura and the Sea & The Scientific Method at Rivendell. Most recently, she directed Untitled Vampire Play at Lookingglass Theater. Directing credits include: The Rise and Fall of Little Voice (Gift Theatre); In Every Generation, If I Forget (Victory Gardens); First Love is the Revolution (Steep Theatre); Women Laughing Alone With Salad (Theatre Wit); The Burn (Steppenwolf Theatre); Harvey (Court Theatre); Sycamore (Raven Theatre); You on the Moors Now (The Hypocrites); Animals Out of Paper (Shattered Globe Theatre); You Can't Take it With You, and Lost in Yonkers (Northlight Theatre); Everything is Illuminated and Compulsion (Next); Roadkill Confidential, The Whole World is Watching, As Told by the Vivian Girls and The Twins Would Like to Say (Dog & Pony). Devon served as Resident Director on Prima Facie and The Audience (both on Broadway). She co-wrote and co-directed Guerra: A Clown Play, a collaboration with Mexico City-based artists La Piara (performances in New York, Chicago, Albuquerque, Mexico City and Bogota). Devon is an Assistant Professor and the Director of Performance in TAPS at the University of Chicago.

Jessica Ervin is an ensemble member at Rivendell where she originated the role of Annie in Rivendell's Jeff Award-winning production of Motherhouse. Other credits with Rivendell include: No Such Thing, Dry Land (Jeff Nomination – Actress in a Principal Role), I Wanna F*cking Tear You Apart, The Firebirds Take the Field, and understudying Pivot, Scientific Method, Alias Grace, and the tour of Women at War. Jessica's other theatrical work includes roles with Goodman, Audible's Minetta Lane (New York), Strawdog, A Red Orchid, Walkabout, Kalliope and Co., and Prop Thtr. On-screen, she has appeared on Chicago Fire (NBC), and in the films Regret Like That, Princess Cyd, Provo, Lucid, and Late Bloomer, in addition to other shorts and a commercial for CDW NetApp. Jessica is a graduate of The School at Steppenwolf and Ball State University. She is proud to be represented by the Actor's Talent Group. www.jessicaervin.com

Glenn Obrero is a member and Casting Associate of Rivendell Theatre Ensemble. Rivendell: Scientific Method, Wipeout, and Pivot. He was recently seen in The Targeted at A Red Orchid Theatre. Select Chicago Theater credits: The Great Leap (Steppenwolf Theatre), 20K Leagues Under The Seas (Lookingglass Theatre), The Chinese Lady (Timeline Theatre), Ironbound (Raven Theatre), and A Tale of Two Cities (Shattered Globe Theatre). Regional Theatre: Peninsula Players Theatre, Kitchen Theatre, and Asolo Repertory Theatre. Film: When Cats Fly (Wonderphil Ent), InIt2WinIt (Gnarly Naldo) and Wheelhouse (Protea). TV: Chicago Fire (NBC) and Next (FOX). Ensemble: Griffin Theatre. Representation: Gray Talent Group.

Eric Slater has been a member of the Rivendell Ensemble since 2005 and has worked on more than fifteen projects in that time including The Tasters, Cal In Camo, Alias Grace and Rasheeda Speaking. Slater was also the associate director of Pivot earlier this season. Some other Chicago credits include: Inherit the Wind, The Cherry Orchard, This Happened Once At The Romance Depot Off i-87 in Westchester, Support Group For Men, Smokefall, Feathers And Teeth (Goodman); The Doppelganger (an international farce) (Steppenwolf); Tiny Beautiful Things, Hand To God (Victory Gardens); Small Jokes About Monsters (16th Street). Off-Broadway: Juvenal Players (The Kitchen); The Dudley's: A Family Game! (Theatre for a New City); Our Greatest Year (Kraine & The Brick); Original cast of Gloryana (Workshop Production, The Public Theatre & The York Theater). Film: Regret Like That, In The Flood, You Don't Belong Here, Widows, The Try Out. TV:"Monster: The Ed Gein Story", "Emperor of Ocean Park", "Fargo", "Chicago Fire". This Spring he directed the critically acclaimed Spaceman by Leegrid Stevens with [producingbody]. Slater has also written and directed his first short film, Moon Thief, currently in post-production.

Rebecca Spence is a Rivendell ensemble member and was last seen on their stage in The Firebirds Take the Field. Other RTE credits: How the World Began, WRENS and These Shining Lives. Additional theatrical credits include work with Chicago Shakespeare Theatre, Steppenwolf Theatre Company, The Goodman Theatre, Court Theatre, Northlight Theatre, Remy Bumppo Theatre Company, Lookingglass, TimeLine Theatre Company, Windy City Playhouse and Theatre Wit. Film credits include: Candyman, Heist 88, Princess Cyd, Man of Steel, Contagion, The Dilemma, Public Enemies, Grace is Gone and The Break-Up. She may be seen currently as Liliana Weeks in the new Taylor Sheridan series The Madison (Paramount+), and in recurring roles in Dark Matter (AppleTV+); Mr. Throwback (NBC); Power Book IV: FORCE (Starz); 61st Street (CW) and Paper Girls (Amazon Prime). Other television roles include: Lady in the Lake, The Big Leap, Utopia, Empire, Easy, Boss, Crisis, Chicago Fire, Betrayal, The Mob Doctor, Detroit 1-8-7, The Chicago Code, The Beast and Prison Break.

Paul Oakley Stovall makes his Rivendell debut! Paul is an accomplished theatre practitioner, winning his first Tony Award as a producer of A Strange Loop and performing the role of George Washington in the 1st national tour of Hamilton for over 4 years. He has also toured with Rent and Once On This Island and has performed regionally across the US and in Japan. He is a four-time Jeff nominee for his work in his hometown of Chicago as an actor, director and playwright. His film/tv appearances include Shameless (SHO), Chicago Fire (NBC), Empire (FOX), and the late Robert Altman's The Company, and his afro-futurism sci fi web series Tulsa can be seen on Amazon Prime. His play Immediate Family has been directed across the country by the legend Phylicia Rashad, and his co-adaptation of James Baldwin's Giovanni's Room which he also directed, garnered rave reviews, including making the New York Times best of theatre list in 2025. Paul was a proud advance associate lead and media logistics coordinator, traveling to over 15 countries for the two terms of forever First Lady Michelle Obama. He served as Executive Producer and Creative Director of the inaugural Juneteenth UnityFest, and of the 2024 NAACP Legal Defense Fund Annual Gala.

Rivendell Theatre Ensemble's 30^th Anniversary Season

It's Women's Work. And for 30 years, it has been our work.

Rivendell is celebrating three decades of groundbreaking, women-centered storytelling with three world premiere plays that embody its legacy of centering women's voices, sparking crucial dialogues and advocating for women. This season is both a celebration of Rivendell's award-winning past and an invitation to experience the bold narratives shaping the future. The 30^th season launched in February with a fully sold-out run of the world premiere of Alex Lubisher's Pivot directed by longtime ensemble member, Hallie Gordon. It was followed up with the  world premiere of Melissa Ross' Do Something Pretty, marking ensemble member Katherine Mallen Kupferer's Rivendell debut. The 2026 season concludes with this hilarious and offbeat new play Bonnie's Last Flight by Eliza Bent.

The 30th anniversary marks a pivotal moment for Rivendell — a time to celebrate all we've built and invest in what's next. This campaign fuels the next chapter of our work as a leader in new play development for women playwrights and a vital platform for emerging and established artists. As Chicago's only women-focused Equity storefront theatre, Rivendell has produced 57 acclaimed works, earned 16 Joseph Jefferson Awards and over forty nominations, and serves more than 250 artists and 4,000 audience members each year through partnerships, performances, and community engagement.  To learn more about our 30th Anniversary Season Campaign and how you can play a part, email Artistic Director Tara Mallen at This email address is being protected from spambots. You need JavaScript enabled to view it.

For more information about Rivendell Theatre Ensemble, visit http://rivendelltheatre.org. Follow Rivendell on Facebook at Facebook.com/rivendelltheatre and on Instagram at @rivendelltheatre.

Rivendell Theatre Ensemble is supported by generous grants from: SIF Fund at The Chicago Community Trust; Paul M. Angell Family Foundation; Shubert Foundation; Bayless Family Foundation; Richard H. Driehaus Foundation; Illinois Arts Council Agency; The Gaylord and Dorothy Donnelley Foundation, Wintrust and Sara and the 2 C Dogs. Community support by: Amazing Edibles, Revolution Brewing and Tablescapes.

 Two final shows in August mark the end-of-summer culmination of Collaboraction Theatre’s The Light youth training program.

Look for The Light at Lollapalooza’s Kidzapalooza Thursday, July 30 through Sunday, August 2 at Grant Park. The Luminaries, Collaboraction’s continuing education program for graduates of The Light, ages 18 to 23, will also perform, with both ensembles headlining three interactive shows daily inside the Collaboraction Tent. Roaming circus performers, bubble zones, a magician and immersive experiences for kids and families will emphasize respect, belonging and collaboration are also part of Collaboraction’s family-friendly destination at Lollapalooza.

Then, on Friday and Saturday, August 8 and 9 at 3 p.m., The Light will present Supernova, a final end-of-summer showcase of their blinding talents as artists and activists. Enjoy original spoken word pieces, theatrical group shorts, live music and dance. Tickets are $10 students; $25 adults. 

Now in its fifth year, Collaboraction’s The Light empowers Chicago high schoolers to become professional artists and thoughtful leaders in their communities. The youth are paid to pick their social justice platforms, then create and perform pieces for peace around the city, making the program part performing arts, part creative workforce development. Collaboraction’s 2026 ensemble – 19 Chicago high schoolers from all over the city, intent on becoming both skilled performers and positive social change makers – is the company’s largest ever, and you don’t want to miss their youthful exuberance, artistry and calls for positive change. 

“Last night we welcomed bands across Chicago to the Chicago Student Radio Collective’s first-ever Student Summer Showcase, said Collaboraction Artistic Director Anthony Moseley.  “CSRC is a group of CPS high school student radio stations from Jones, Northside and Whitney Young, and more than 70 Chicago teens spent a summer night in our House of Belonging enjoying live music, snacks and a space run by teens, for teens. So whether it’s our own youth programs, or other nonprofits using our space for youth gatherings and shows, Collaboraction’s House of Belonging is already becoming just that. A third space. A safe space. A space that welcomes all audiences, including Chicago youth.”

Collaboraction’s new House of Belonging anchors the Kimball Arts Center, 1757 N. Kimball Ave. in Humboldt Park. Open since February, audiences, artists, activists, families, teens and the Humboldt Park community are discovering the company’s new home, a sleek, 4,000-square foot space with a 99-seat flexible studio theater and a 50-seat cabaret with cafe and bar.

So come to Collaboraction’s House of Belonging in August and enjoy theater, music, art, spoken word, youth performances, and more. Free and nearby street parking is available. For CTA riders, Collaboraction is a short walk from the Kimball stop on the 72 North and 73 Armitage bus lines, and/or the 82 Kimball-Homan bus stops right in front of Kimball Arts Center. For bikers and pedestrians, The 606’s Kimball trailhead leads directly to the Kimball Arts Center. 

What’s “more”? Go to collaboraction.org where you can also get tickets to (online ticket fees apply):

Kao Ra Zan and Marisela Tapia present

TALISMÁN: An Evening of Poetry and Flamenco

Friday, August 7 at 7 p.m.
Tickets: $20

TALISMÁN is an evening of poetry and  flamenco presented by artists Kao Ra Zen and Marisela   Tapia, featuring flamenco guitarist Andrea Salcedo, saxophonist Mark Nagy, and modular

synth player, Neil Jendon. Inspired by the talisman’s transformational powers, Kao and Marisela weave through spoken word, live music and dance, exploring personal and universal narratives.

Presented as part of Collaboraction’s You Belong Here series.

Bilingual Improv School presents
¡El Showcase! 

Wednesday, August 12 at 7 p.m.
Tickets: $10

¡El Showcase! is a fully improvised comedy show that showcases the talented students of Bilingual Improv School, the only place where students can take an improv class... pero like en Espanglish. All are welcome to enjoy this show regardless of their level of fluency in Spanish or English. ¡El Showcase! is hosted by Rudy Mendoza and presented as part of Collaboraction’s You Belong Here series. Learn more and register for classes at bilingualimprovschool.com.

Silver October’s
HEARTFELT HARDCORE
Friday, August 14 at 8 p.m.

Tickets: $10

HEARTFELT HARDCORE is a night of hard dance music with an emphasis on emotional melodies and contemplative chord progressions. Deep grooves and hard bass can be heard across this five-artist lineup, highlighting but not limited to Jungle, Gabber, Breakcore, Hardcore, and Trance music. Come early and stay late to hear some of Chicago's finest selectors from the underground rave scene. Part of Collaboraction’s You Belong Here series.

The Luminaries present

RADIATE

Tuesday, August 18

6 p.m. creative workshop and sign up; 7 p.m. open mic
Free

RADIATE is Collaboraction’s monthly open mic series produced by The Luminaries, alums of Collaboraction’s The Light youth ensemble. Each event begins with a guided workshop that invites participants to explore a theme or social change concept through art and reflection. The Luminaries then open the floor for performances from local artists, students, and community members, closing the night with a showcased featured artist. 

The Frequency

A monthly series curated by DJ Lady D

With special guest Dr. Media McNeal, Director, Honey Pot Performance

Presented by Collaboraction and Group Sounds
Wednesday, August 19

Doors open at 7 p.m.

Program at 7:30 p.m.

Tickets: $5-$20

The Frequency is a new monthly gathering series where culture, wellness, creativity, and collective healing come together, curated by internationally renowned DJ, TEDx speaker, Recording Academy Chicago Governor and Collaboraction Executive Director DJ Lady D.
 

This month, Lady D invites audiences to explore “pleasure” as meaning making, embodied liberation, and as a connective tissue of human relation. She’s joined by special guest Dr. Meida McNeal, Director, Honey Pot Performance, an Afro-feminist collective dedicated to critical performance and public humanities. Drawing on Honey Pot Performance’s creative production in progress, “Pleasure Power Portal,” this workshop invites participants to engage in an experience blending ritual, performance, and storytelling,

In addition to serving as Director of Honey Pot Performance, Dr. Meida Teresa McNeal works with the Chicago Department of Cultural Affairs & Special Events as the Deputy Commissioner of the Cultural Grants & Resources Division. Previously, McNeal served as Senior Manager of Art and Community Impact Investments at DCASE where she launched the Chicago Arts and Health Pilot Program for Creative Workers (now publicly known as Healing Arts Chicago). 

The People’s Pot & Pantry
Monday, August 24

Doors open at 4 p.m.

Free

In an effort to build community ties, strengthen mutual visibility, and battle food insecurity in the performing arts, community members are invited to Collaboraction to dine on their “dark day.” At The People’s Pot & Pantry, guests enjoy a free hearty meal featuring locally grown produce, browse the pantry for free items and bring their own containers to take home prepared food for the week. The People’s Pot & Pantry is facilitated by Global Hive Laboratories with Cedillo’s Fresh Produce, a family-run farm located in Chicago's Englewood neighborhood. For more, visit globalhivelabs.org. To contact the organisers, email This email address is being protected from spambots. You need JavaScript enabled to view it..

Darshita Jain and Ghutarghoo Productions present
Roomani

Tuesday, August 25

6 p.m. socializing; 6:30 p.m. performance

Tickets: $15

Roomani is a literary reading series in Humboldt Park centered around immigrants, QTBIPOC poets and disabled writers. This is a generous generative space for spoken word poetry, writing and community building. The first iteration includes poets Shivani Gupta, Darshita Jain and more to be announced. 

Darshita Jain is a poet, journalist and an arts worker. She works to build equitable systems within the arts and her work takes the shape of administration, production, outreach and grassroots PR. She has been producing literary events for more than a decade now. She can be found planning more literary work with Ghutarghoo productions, supporting the Chicago Poetry Center through her board work and performing across the city of Chicago. Part of Collaboraction’s You Belong Here series.

Max and Binkey: The Funktion

Wednesday, August 26

7 p.m. doors open; 8 p.m. show 

$15

The Funktion is a non-stop hilarious, immersive, variety show hosted by two of Chicago’s favorites, Max and Binkey. The show is created for the community, by the community. It’s the perfect blend of improv, stand-up, live music, with a block party feel. You’ll walk away from this show gaining new friends, new favorite artists, and excited to come back for more. Part of Collaboraction’s You Belong Here series.

Kimball Arts Center presents
Find Art Friday!
Friday, August 28, 6-8 p.m.
Free

It’s the last Friday of the month, so join Collaboraction and the tenants of the Kimball Arts Center as we open our doors so you can peek inside! Your first stop: Collaboraction’s bar and lounge.

Bilingual Improv School presents
Cómo Se Dice?

Friday, August 28 at 7:30 p.m.

Tickets: $20

"Cómo se dice?" is a monthly bilingual short-form improv show featuring a rotating cast of  professional bilingual actors and comedians including Cesar Jaime (Chicago Med), Jess Martinez (Ratas de Dos Patas) and Licinio Garcia (Antojitos). The show is a throwback to the classic TV series,  "Whose line is it anyway?" but in Spanglish. Cómo Se Dice? is hosted by Rudy Mendoza and is a premium production of the Bilingual Improv School. Presented as part of Collaboraction’s You Belong Here series. Learn more and register for classes at bilingualimprovschool.com.

In addition to its own programs, Collaboraction’s You Belong Here series provides a home for independent artists and groups at any stage in their career, with an emphasis on those who live in proximity to the Kimball Arts Center in Humboldt Park. Curated by company member Sandra Delgado, You Belong Here takes the barriers out of self-producing by providing free space and equipment, stage management, marketing and PR support and a generous door split model. To learn more or submit a performance proposal, visit collaboraction.org/you-belong-here.

About Collaboraction

Celebrating its 30th anniversary in 2026, Collaboraction is an award-winning Chicago theater company that uses immersive, socially conscious performance to spark change and build equity. Across all platforms, Collaboraction uses its KEDA methodology - Knowledge, Empathy, Dialogue, and Action - to spark changes in behavior and attitudes that manifest social change.

Collaboraction’s past work includes NBC Chicago’s three-time Emmy Award-winning The Lost Story of Emmett Till: Trial in the Delta, the resulting live stage play film, Trial in the Delta: The Murder of Emmett Till, live productions of Crime Scene, Moonset Sunrise, A Blue Island In the Red Sea, its annual Peacebook and Sketchbook festivals, and its youth ensembles, The Light and The Luminaries.

Collaboraction is led by Darlene Jackson, Chief Executive Officer and Executive Director; Anthony Moseley, Chief Programming Officer and Artistic Director; and a dedicated board, company members and staff.  For more information, visit collaboraction.org or follow Collaboraction on Facebook, Instagram, YouTube, TikTok and Bluesky.

Definition Theatre is proud to present How We Got On, a mix-tape for the stage by playwright Idris Goodwin and directed by Tyrone Phillips. How We Got On will play a limited run from September 11– 27, 2026 at Definition Theatre (1160 E. 55th St, Chicago, IL) with previews September 11–12, 2026 and an opening on September 13 at 7:30pm. Tickets are $35 and are on sale now at definitiontheatre.org.

How We Got On tells the story of three suburban teenagers who discovered something that would change their lives forever. It's the 1980’s, and Hank, Julian, and Luann are determined to make their mark on the explosive new world of rap music. Armed with turntables, notebooks, and raw talent, they’ll navigate cultural isolation, family struggles, and fierce competition as they chase their dreams of becoming the next big thing.

But in the suburbs, far from hip-hop's birthplace, they'll have to fight twice as hard to prove they belong. Guided by a sultry DJ, the selector, who spins their stories with wit and wisdom, this electrifying production celebrates the passion, creativity, and determination of the generation that helped build hip-hop from the ground up—one beat, one rhyme, one battle at a time.

The cast features Jamal Turner, Tony Garcia, Anuoluwa T. Awolola, and Definition Ensemble Member Maya Vinice Prentiss.

The production team includes Director Tyrone Phillips, Assistant Director Lucy Whitehead, Production Manager Julie Jachym, Stage Manager Carissa Greene, Scenic Designer Sydney Lynn Thomas, Costume Designer Janelle Smith, Lighting Designer Garrett Bell, Lighting Design Intern Bria Hall, Sound Designer Kyle Cortes, and Movement Designer Breon Arzell.

Running in tandem with the production is The Sound Barriers Vol. 4, an installation of vintage boomboxes, paintings, and photography by Chicago muralist John Vergara. The exhibit is open Monday–Thursday from 5pm–9pm from Monday, September 14 – Thursday, Sept 24, 2026.

Chicago-based artist John Vergara time travels via boomboxes, the ultimate muse, in The Sound Barriers Vol. 4. Immersed in 1980’s Chicago hip-hop, funk, and house music, Vergara's vibrant brushstrokes, paint splatters, and graffiti work embody the movement of sound, while his cityscape photographs and portraits present music as a life form accompanying each person. Vergara has created more than 200 public murals, curated Chicago art shows for over 20 years, and is an advocate for the preservation of historical public art—work that helped lead to the founding of the City of Chicago Mural Registry.

PERFORMANCE DETAILS

How We Got On

Dates: September 11 – 27, 2026

Previews: September 11 – 12, 2026

Location: Definition @ 55th | 1160 E. 55th Street, Chicago, IL

Tickets: On sale now at definitiontheatre.org

EXHIBIT DETAILS

The Sound Barriers Vol. 4 by John Vergara

On View: September 14 – 24, 2026 (concurrent with How We Got On)

Hours: Monday – Thursday, 5pm – 9pm.

Location: Definition @ 55th | 1160 E. 55th Street, Chicago, IL

Admission: Free for How We Got On ticket holders, $15 for General Admission

ABOUT DEFINITION THEATRE

Definition Theatre has been a vibrant force for over a decade, celebrating stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibilities found at the intersection of art, innovation, and education. Known for bold and impactful productions, we’ve brought to life plays by Oscar-winner Tarell Alvin McCraney, Pulitzer Prize-winners James Ijames and Jackie Sibblies Drury, and Tony Award-winner Branden Jacobs-Jenkins. We strive to promote equity, foster empathy, and enhance the quality of life for our community members by offering opportunities for creative, entrepreneurial, and cultural expression. Our work emphasizes collaboration in theater-making and raises awareness of career paths in the arts. In 2024, Definition leased and equipped a storefront space in Hyde Park, enabling us to engage artists and expand programs as we prepare for our permanent home in Woodlawn on the southside of Chicago. This new theater, community center, and business incubator will amplify and preserve BIPOC voices, promote social justice, and empower the next generation of artists, entrepreneurs, and changemakers to drive positive progress through the transformative power of the arts.

Definition Ensemble members include: Adia Alli, Owais Ahmed, Ariel Beller, Jared Bellot, Carley Cornelius, Ari Craven, Julie Jachym, Willow James, Martasia Jones, Slick Jorgensen, Yeaji Kim, Kristy Hall, James Ijames, Julie Jachym, Willow James, Kiki Layne, Kelson Michael McAuliffe, Victor Musoni, Neel McNeill, Sophiyaa Nayar, Karyn Oates, Alexandra Oparka, Julian Parker, Maya Vinice Prentiss, Tyrone Phillips, Ireon Roach, Jacqueline Rosas, Christopher Sheard, and Dujon Smith.

Definition Artistic Advisory Board members include: director May Adrales, Steppenwolf ensemble member Alana Arenas, actress Shannon Cochran, actor Brandon Dirden, actor Jason Dirden, actor Jon Michael Hill, director Pam Mackinnon, Equity Quotient CEO Keryl McCord, professor JW Morrissette, director Ron OJ Parson, professor/lighting designer Kathy Perkins, media producer and host Troy Osborne Pryor, Tony Award-winning actress and stage director Phylicia Rashad, and Goodman Theatre director in residence Chuck Smith. Tyrone Phillips is the Artistic Director, Neel McNeill is the Executive Director, Willow James is the Civic Engagement Director. For additional information, visit definitiontheatre.org and @definitiontheatre on Facebook and Instagram #stayinit

The nonprofit service organization 3Arts announces the date for its annual 3Arts Awards Celebration, a festive evening of dynamic performances by Chicago artists and the announcement of the recipients of unrestricted grants to artists working in the performing, teaching, and visual arts. The 2026 3Arts Awards Celebration takes place at the Harris Theater for Music and Dance (205 E Randolph) on Monday, October 26, at 5:30pm. Tickets for the event, which includes a welcome reception, awards program, and a jubilant after-party, are $150 (general admission) and $300 (VIP) with a limited number of $50 tickets available for industry professionals. Tickets will be available at 3arts.org/tickets in early September. Funds raised during the event will be split between 3Arts and Chicago nonprofit, Center for Native Futures.

"When artists rise, communities rise with them,” says Cat Tager, Executive Director of 3Arts. "Because art isn't a luxury; it's a foundation of any thriving community. As we head into our 20th year in 2027, we are looking forward to celebrating the milestone of putting $10 million directly into the hands of Chicago artists, and to continuing our mission to provide the critical programming that helps those artists to experiment, to take risks, and to elevate our communities.”

Thirty-six artists will be honored at this year’s program, which distributes unrestricted awards across three categories: the 3Arts Awards ($30,000 each), Next Level Awards ($50,000 each), and the peer-selected Make a Wave Awards ($2,000 each). The celebratory evening will also feature powerful performances by three past 3Arts awardees.

Expanded for 2026, the Next Level Awards will now include two awards in Music and two in Theater, made possible by support from the Paul Angell Foundation. This marks the first time these unrestricted grants will be available to musicians and theater artists, following the initiative's initial launch in Visual Arts (2020) and subsequent expansion into Teaching Arts.

3Arts has distributed more than $10 million in grants to more than 3,050 artists since 2007. 3Arts awardees reflect 66% women artists, 74% artists of color, and 17% Deaf or disabled artists.

2026 3Arts Awards Celebration

Dates:                 Monday, October 26, 2026

                              5:30pm Welcome Reception

                              6:30pm Awards Celebration and Performances

                              7:45pm After Party

Location:           Harris Theater for Music and Dance

                              205 East Randolph Drive

Tickets:              Tickets are $50-$300 and can be purchased in early September at 3arts.org/tickets and via the Harris Theater Box Office at 312.334.7777.

About 3Arts

Founded in 1912 with a history centered on women artists and reimagined as an arts service organization in 2007, 3Arts supports artists in the Chicago metropolitan and greater Carbondale areas working in the performing, teaching, and visual arts, including women-identified artists, artists of color, and Deaf and disabled artists. The 3Arts Awards were launched in 2007 to provide unrestricted awards, project funding, residencies, professional development opportunities, and promotion to help artists take creative risks, build sustainable careers, and contribute to the cultural vitality of Chicago and the broader region.

3Arts extends special thanks to the 2026 Award Partners: The HMS Fund, The SIF Fund at the Chicago Community Foundation, Stan Lipkin & Evelyn Appell Lipkin, and MSU Federal Credit Union.

One of the ten 3Arts Awards, the 2026 3Arts/MSUFCU Community Award celebrates the collective generosity of artists and supporters across Chicago, whose contributions made the award possible.

3Arts also recognizes support for the Next Level Awards from an anonymous donor at The Chicago Community Foundation, the Paul Angell Foundation, and the John D. and Catherine T. MacArthur Foundation.

For more information about 3Arts, please visit www.3arts.org.

Promethean Theatre Ensemble announced today it will stage the Chicago premiere of BLOOD OF THE LAMB, by Arlene Hutton, a gripping two-woman, Kafka-esque, thriller. In a time about two days from now, Nessa, traveling from LAX to JFK, finds herself diverted to Dallas. Trapped in a room with Val, a lawyer, Nessa just wants to leave on the next plane out. But this is Texas, and Nessa is pregnant and Val is on the phone with legislators who are pulling the strings. BLOOD OF THE LAMB premiered in 2023 at the Edinburgh Fringe Festival, where THE GUARDIAN called the 70-minute intermissionless drama "an acutely tense drama of reproductive rights." It received a 2025 Drama Desk Award Nomination for Outstanding Play for its 2024 off-Broadway premiere in 2024, which BROADWAYWORLD called "an essential must-see show." BLOOD OF THE LAMB will play at Chicago's Den Theatre following previews on September 3 and 4. It will play through October 3.

Anna C. Bahow, an ensemble member with Promethean and an Artistic Associate with Silk Road Cultural Center and the International Voices Project, will direct two alternate casts. Bahow says, "this double casting will allow us to give four great women actors a chance to show their skills in these incredibly challenging  roles that are so pertinent to the pressing concerns of women's reproductive health." One cast will feature Heather Dennis* (title role in PTE's ANTIGONE) as Nessa and Kirsten D'Aurelio as Val, and  the other cast will include Meghann Tabor* (Ismene in PTE's ANTIGONE) as Nessa and Delia Ford (emeritus member of Babes with Blades) as Val.

There will be a press opening for each cast, with Tabor and Ford performing on Saturday, September 5 at 7:30 pm and Dennis and D'Aurelio performing on Sunday, September 6 at 3:00 pm. For the remainder of the schedule, D'Aurelio and Dennis will perform Thursdays and Saturdays, and Tabor and Ford will perform Fridays and Sundays. Tabor and Ford will perform the Thursday, September 3 preview and the Tuesday, September 29 industry night performance, and D'Aurelio and Dennis will perform the Friday, September 4 preview and the Tuesday, September 22 industry night performance.

Tickets are $35 general, $25 students and seniors and are on sale at https://www.prometheantheatre.org or The Den Theatre Box Office, 773-697-3830.

BLOOD OF THE LAMB
By Arlene Hutton
Directed by Anna C. Bahow
September 3 – October 3, 2026
Previews Thursday September 3 and Friday, September 4 at 8 pm 
Regular Run: Thursdays – Saturdays at 8 pm, Sundays at 3 pm. 

Industry Night performances Tuesdays September 22 and 29 at 8 pm
The Den Theatre, 1331 N. Milwaukee Ave., Chicago 60622
Ticket Prices: $35 general, $25 students and seniors

For tickets, visit https://www.prometheantheatre.org or The Den Theatre Box Office, 773-697-3830.
 
A searing drama about bureaucratic chaos in a post-Roe America. When pregnant Nessa's transcontinental flight is diverted to Dallas, she is detained with an unexpected adversary: a court-appointed attorney assigned to represent her baby and decide her future. BLOOD OF THE LAMB is an urgent post-Roe thriller about the choices taken from us—and the choices we can still make.

INTENDED AUDIENCE This production is intended for mature audiences, ages 16 and up. The content explores intense political and medical themes surrounding reproductive rights and medical procedures. 
 
BIOS
 
Arlene Hutton (Playwright) is an alumna of New Dramatists, member of Ensemble Studio Theatre and recipient of a NYFA Fellowship. Her NIBROC TRILOGY includes the first FringeNYC production to transfer Off-Broadway, LAST TRAIN TO NIBROC (NY Drama League Best Play nomination), along with SEE ROCK CITY (In the Spirit of America Award) and GULF VIEW DRIVE (LA Weekly and Ovation Award nominations, 2018 Ovation Award for Best Production at Rubicon Theatre). Other works include ACCORDING TO THE CHORUS, RUNNING, I DREAM BEFORE I TAKE THE STAND, LETTERS TO SALA, THREE SISTERS BRONTË and AS IT IS IN HEAVEN. Her play for young audiences, Happy Worst Day Ever, was commissioned by Cincinnati Playhouse in the Park and was named winner of the 2010 Macy's New Play Prize.
 
Anna C. Bahow (Director) is a member of Promethean Theatre Ensemble. Committed to the development of new work and a diversity of voices she is an Artistic Associate with Silk Road Rising which foregrounds Asian, South Asian, and Middle Eastern artists, an Associate Artist with The International Voices Project which brings plays from around the world in translation to Chicago, and an Associate Artist at Chicago Dramatists. Bahow has received an After Dark Award for her directing, and her productions have received Chicago Jeff Awards for New Work and Use of Multi-Media. She was honored to have served as a Michael Maggio Fellow at the Goodman Theatre, is recipient of a 3ARTS WAVE Grant, and several Illinois and City of Chicago Individual Artist Grants. More about her work can be found at AnnaBahow.com
 
ABOUT PROMETHEAN THEATRE ENSEMBLE
 
Promethean Theatre Ensemble produces and develops ensemble-focused theatre with vibrant language in dynamic and purposeful storytelling. We select a service organization to support and promote with each production, bridging ideas within the play to real-world efforts to address challenges within our communities. Since its founding in 2005, Promethean has produced a body of work ranging from Shakespeare, 19th and 20th Century classics, and new work. The company was in the midst of its 14th season when the pandemic struck. ANTIGONE is Promethean's 36th production.

Carmela misses her papi, because papi is missing some of his papers.

Chicago Children’s Theatre presents Carmela Full of Wishes, a moving ode to family – and dreamers – adapted from the contemporary children’s book by Newbury Award-winners Matt de la Peña and Christian Robinson, the same Newbery Medal and Caldecott Honor winning team behind Last Stop on Market Street. 

Carmela Full of Wishes, a Chicago Children’s Theatre world premiere in 2022, returns to tell a warm, timely, and ultimately hopeful story about a sweet young Latina girl living in a big city who dreams of her dad getting his papers fixed so he can finally come home. 

More relevant than ever, Carmela is the first of four of “greatest childhood hits” Chicago Children’s Theatre is reviving for its 21st birthday season. Full of touching, funny fantasies, the play portrays a little girl’s big city migrant community as a vibrant world of hope and possibility. The Chicago Tribune called it “a heartwarming tale of an exuberant Latina girl that celebrates family, community and hope — perfect themes for young audiences.” f

Public performances are October 25-November 15: Saturday and Sunday at 9:30 a.m. and 11:30 a.m. Press openings are Sunday, October 26 at 9:30 a.m. and 11:30 a.m. Run time is approximately one hour. Carmela Full of Dreams is recommended for ages 6 and up. Schedule exceptions: Show time Saturday, October 25 is 9:30 a.m. only;  Show times Sunday, November 8 are 11:30 a.m. and 2 p.m.  

Single tickets are $42 and go on sale on August 24 at chicagochildrenstheatre.org. Book early, as many shows will sell out. For group discounts, schools, playgroups, birthday parties and scouting groups are encouraged to call CCT Guest Services at (312) 374-8835 or email This email address is being protected from spambots. You need JavaScript enabled to view it..

School groups in particular are encouraged to inquire about Chicago Children’s Theatre’s in-class R.O.A.R. Residencies connected to the world of Carmela Full of Wishes. CCT’s R.O.A.R. (Residencies of Arts and Resilience) program, rooted in trauma-informed activities and conversations, provides opportunities for students to authentically reflect on challenging or stressful situations, gain the tools for sharing with others, self care and self agency in those moments, and promote coping mechanisms, social-emotional expression and resilience. CCT’s R.O.A.R. program was developed in partnership with the Ann and Robert H. Lurie Children’s Center for Childhood Resilience. To inquire, email CCT Director Education Catherine Councell at This email address is being protected from spambots. You need JavaScript enabled to view it..

Chicago Children’s Theatre is a “no shushing” theater. It’s located at 100 S. Racine Ave., at Monroe, in the heart of Chicago's West Loop, minutes from I-90 and I-290, downtown and Ashland Avenue. Free, onsite parking is available on the south side of the building. Free street parking can be found on weekends, or try the Impark parking lot, 1301 W. Madison St.

Finally, if you agree Chicago is the greatest theater city in the world, and that Chicago families deserve an equally great professional children’s theater, purchase a subscription to Chicago Children’s Theatre’s 2026-27 season, on sale now at chicagochildrenstheatre.org. Three more joy-inducing productions follow Carmela Full of Wishes: The Beatrix Potter Holiday Party, Manual Cinema’s Leonardo! A Wonderful Show About a Terrible Monster, and The Very Hungry Caterpillar Show. Packages start at only $35.70 per show. Or, create your own mix-and-match subscription plan to match your child’s age and interests.

Access performances for Carmela Full of Wishes

Sensory Friendly
Saturday, November 7 at 9:30 a.m.

Audio Description and Touch Tour

Sunday, November 8 at 2 p.m.

*To request Audio Description and Touch Tour services, tickets must be purchased three weeks before the performance.

ASL and Open Captions
*To request ASL and/or Open Captions services, tickets must be purchased three weeks before the performance you are planning to attend.

To learn more information, go to chicagochildrenstheatre.org/access_performances or email This email address is being protected from spambots. You need JavaScript enabled to view it..

Jackalope Theatre Company is proud to announce the schedule for the 17th Annual Living Newspaper Festival, August 20 - 24, at the Jackalope Theatre in the Broadway Armory, 5917 N. Broadway. The Living Newspaper Festival is inspired by the 1930s Living Newspapers of the Federal Theatre Project that created stories based on recent events. Each night, the Festival includes five one-act plays inspired from recent news headlines. The running time is 75 minutes with no intermission. The performance schedule is Friday, Aug. 21 at 7:30 p.m., Saturday, Aug. 22 at 7:30 p.m., Sunday, Aug. 23 at 2 p.m. and Monday, Aug. 24 at 7:30 p.m. Tickets for August 20 - 24 are $20 - $35 and are available at JackalopeTheatre.org or by calling 773.340.2543. 

The 17th Annual Living Newspaper Festival includes 

Picture Day 

By Madie Dopelt

Directed by Breon Arzell

Cast includes Miriam Lee, Niko Kourtis and Reilly Oh

Inspired by Epstein-Linked Rumors Ignite Panic Over School Photos in Coulee Dam

When Reddit users loosely link a school photography company with the Epstein files, parents in Coulee Dam, Washington express their concerns. As the school decides how to handle their upcoming picture day, the parents take matters into their own hands.

Let them East Cake

By Anelga Hajjar

Directed by Kaiser Ahmed

Cast includes Yourtana Sulaiman, Chris Chmelik and Claudia Quesada

Inspired by GLP-1 drugs are changing how Americans eat. Food companies are racing to catch up

It's Selma's birthday but the cake is uneaten and something seems terribly off. Can her mom and boyfriend get to the bottom of what's infected her? Let them Eat Cake, exposes the insidious consequences of our bodies being injected with public opinion. 

Fellow Mortals

By Aurora Real de Asua

Directed by Janyce Caraballo

Cast includes Sierra Phan, Katie Bevil and Z Mowry

Inspired by Mouse study shows repeated cloning causes grave genetic mutations

Three individuals, trapped in a cage. Who put them there? And why? And how the hell are they going to get out?

Turning 

By Netta Walker

Directed by Sydney Charles

Cast includes Jalbelly Guzman and Morgan Lavenstein

Inspired by Newly declassified FBI documents detail UFO sighting by Anoka officers — and one of them filmed it

2048. Post Civil War. On a forest creek bed, south of the Mason Dixon, a young woman flees a colony only to be confronted by a relic of the past.

The Day The Night Came Down 

By Ike Holter

Directed by Stephanie Diaz

Cast includes Laura Lodewyck and Pedro Jimenez

Inspired by Newly declassified FBI documents detail UFO sighting by Anoka officers — and one of them filmed it

After a life changing encounter with an unexplained aerial phenomena, a rookie cop weighs the cost of speaking truth to power. 

ABOUT THE LIVING NEWSPAPER FESTIVAL

With a history in the USSR and Germany in the early part of the century, the Living Newspaper was initiated in the United States in 1935 as part of the Federal Theatre Project (FTP). Its founders believed in the value of drama as an instrument of social change and the Living Newspapers became a highly effective new form, boldly producing plays that often brought to light social injustices, challenged ideals and criticized the government.

In response to the Great Depression, Congress appropriated $4.8 billion for work relief and created agencies to administer the funds, including the Works Progress Administration. Despite being allocated less than one percent of WPA funding, the Federal Theatre Project employed approximately eight thousand theatre professionals a year during its four-year run.

In an attempt to create new plays, the Federal Theatre Project often recruited new writers. One of the goals of the short-lived FTP was to create plays and provide training for aspiring writers, and the Living Newspapers fostered this on a grand scale. Even though insiders acknowledged that it is much easier to build a dam or teach a trade than it is to develop a playwright, the legacy of the FTP laid the groundwork for using theatre to invoke conversation on national themes.

ABOUT JACKALOPE THEATRE

Jackalope Theatre Company expands the definition of American Identity by engaging with communities to produce works that celebrate diverse perspectives. Jackalope is a premier home for new and exciting Off-Loop Theatre based in Chicago's Edgewater and Rogers Park neighborhoods. They are committed to cultivating new voices that contribute to an expanding American culture and mythology. Each season, Jackalope produces full-length plays, new play development programming and provides free classes in partnership with the Chicago Park District.