
After cancelling her performance earlier this season due to health concerns, the Queen of Soul, the great Aretha Franklin, tabbed as the greatest vocalist of all time by Rolling Stone Magazine, made her triumphant return to Ravinia. Dressed in a sparkling silver dress and donning a wig giving the seventy-five-year-old living legend long straight hair, the superstar made an immediate impact as she walked onto the stage after the band’s opening medley.
The soulful 1986 hit “I knew You Were Waiting (For Me)” was the first song the of many that Franklin delved into, her voice perhaps not as powerful as it once was, but every bit as finessed, unique and velvety. Franklin’s set was wide-ranging and included classics “Chain of Fools” and “(You Make Me Feel) Like A Natural Woman” along with Stevie Wonder written “Until You Come Back to Me” and B.B. King’s “Don’t Play that Song (You Lied)”.
Accompanied by a twenty-five-piece-plus gifted ensemble that included everything from a horn section to dancers, Franklin’s sound was big, filling the outdoor venue with the sweet sound of nostalgia. The excitement never let up, Franklin often getting well-deserved standing ovations. After all, she is one of the most influential artists of our time.
About halfway into the concert, the fabulous singer went into a powerful medley that began with Adelle’s “Rolling in the Deep” merging into The Supremes’ “Ain’t no Mountain High Enough”. A highlight moment without question. At one point the crowd was moved when the band played a soulful jam while Aretha fervently sang over the music telling her story of a serious illness that had miraculously vanished, thanking a team of skilled physicians and above all, God. Afterward, she immediately introduced longtime friend Reverend Jesse Jackson, who was seated in the first few rows.
Franklin rolled on with a beautiful array of material, wrapping up her set with “Freeway of Love”, which segued into a ten-minute high-spirited gospel revival, praising Jesus as the King of Kings, practically every audience member on their feet clapping along, many hands in the air, as the stage became a platform for an impromptu and very enthusiastic Baptist church service.
After a brief absence from the stage, Aretha Franklin return to perform possibly her largest hit, “Respect” - just the right number to end a tremendous set of music on a picture-perfect night. At seventy-five-years-young, the Queen of Soul is still making fans sing and dance as much as she ever has.
"Stick Fly" is about the Levays, a wealthy African American family, who go to their beach house for a weekend getaway. What started off as two brothers bringing their significant others to meet their parents ends with revelations of deception, racial issues, and relationship woes.
The older brother, played by Michael Pogue, does an excellent job in his role as an arrogant plastic surgeon. He brings home his Italian girlfriend, Kimber, who is strong, independent, and aware of her own privilege. Tyrone Phillips plays the younger brother, Kent, who has definitely gone through a journey to find himself but finally settled into writing to which he shows some talent. His girlfriend, Taylor, is neurotic and comes from a lower class background although her father is a well-liked and respected anthropologist who has written several books. We later learn that he left her at a very young age and created his own family that didn't include her.
The family invites their longtime housekeeper to the beach house for the weekend but she asks her daughter Cheryl, played by Paige Collins, to fill in for her due to her illness. What we soon find out is that Cheryl went to a top tiered high school on scholarship and she is ready to attend college soon. It is apparent that she is out of place and clearly does not fit in.
I couldn't help but to be impressed with Phillip Edward Van Lear’s performance as Dr. Levay. He is the matriarch and does a great job at commanding the stage when he walks in.
I appreciate the playwright's attempt at bringing a very complex storyline to the theater. I was impressed with the fact that I was able to connect to a couple of characters as they all seemed to have some sort of problem. However, I felt at the end some of the characters were not fully developed and seemed a bit disjointed. Emotions were running high and it appeared that Cheryl just gave up at the end which was a bit of a disappointment.
"Stick Fly" is the play to see if you like dramas with some comedy. Not only does it touch on many things such as family abandonment as well as racial issues; it leaves you reflecting on some of the things you may have encountered in your own life, especially if you are African American. This play is worth checking out at Windy City Playhouse, a non-profit theater that supports local actors. To be honest, any play that opens with Stevie Wonder is good in my book.
Detroit was burning in the summer of 1967, inside one basement, life was still going on. That contrast is at…
Rivendell Theatre Ensemble closes its milestone 30th season with Bonnie’s Last Flight, a sly, sky‑high comedy set during a flight…
If anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if…
Erik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Graceful Warrior: An Evening with Gary Sinise on Tuesday, November…
Studebaker Theater, P3 Productions and Audible, in collaboration with Teatro Vista Productions, present the Chicago premiere of the groundbreaking, award-winning new hip-hop musical Mexodus, written and performed…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages…
What happens when three young people discover hip-hop and realize they might have something to say? Idris Goodwin’s How We…
Open Space Arts presents BEFORE WE ARE HISTORY, a three-week theatrical exploration of LGBTQ+ theater created during and in response to…
Northlight Theatre opened its new venue with Jeffrey Hatcher’s smart, rejuvenated adaptation of The Front Page. Commissioned by Artistic Director…
There are some productions you watch, and then there are productions that make your heart swoon and your toe tap.…
Overshadowed Productions’ Flame of Fire revisits one of the most polarizing true stories in mid‑century missionary history, and the result…
At intermission, I sent Ken, Buzz Center Stage’s managing editor, a text: “So thankful I made it!! It’s intermission, and…
Coincidentally (or not), Victory Gardens’ new play about a controversial campus speaker opens just days after the one-year anniversary of…
Babes With Blades Theatre Company’s (BWBTC) announced today new production dates for the final production in its 2026 season, William Shakespeare’s King…
Sometimes when we reach into the past to resurrect or revive an old story, we find it doesn’t age well.…
Fleetwood -Jourdain Theatre, an award-winning theatre company that has been thrilling audiences with over four decades of unique, inspirational, and invigorating Black…
The Goodman wraps its 2025/2026 Centennial Season, an unprecedented line-up marking the 100th anniversary of Chicago's flagship not-for-profit theater, as the…
The greatest holiday show south of the North Pole returns for its 9th year with another brand spankin' new wintertide…
“Great Balls of Fire!” Chicago audiences have just one last chance to catch Paramount Theatre’s immersive musical Million Dollar Quartet, returning more…
Tis' the season for laughter and cheer! The Second City is decking its holiday lineup with shows for every sense…
Kokandy Productions’ Jekyll & Hyde, now presented by Broadway In Chicago at the Broadway Playhouse, arrives with the momentum of…
Chicago City Opera (CCO) presents the Chicago premiere of gothic horror opera Der Vampyr by composer Heinrich Marschner to a…
A Red Orchid Theatre is pleased to announce full casting for its Chicago premiere of Will Arbery's politically-charged drama Heroes of the Fourth Turning, directed…
Broadway In Chicago is thrilled to welcome trailblazing hip hop artist and Chicago legend Da Brat as special guest host…
Producer Jeffrey Seller and Broadway In Chicago have announced the world-premiere of the new musical THE PRINCESS BRIDE will begin performances in…
Ghostlight Ensemble's production of American Son, written by Christopher Demos-Brown and directed by Ebby Offord, opens on Friday, September 18,…
Marriott Theatre, Chicagoland's longest-running musical theatre, presents its 2027 subscription season featuring five thrilling and memorable musicals: Pippin, A Gentleman's Guide to…
Kokandy Productions is pleased to conclude its 2026 Season with A Clockwork Orange: A Play with Music, a live adaptation of Anthony Burgess's dystopian…
Collaboraction Theatre Company is thrilled to host a limited run of Unpacking Home by Chicago’s Raices to Roots as part of the 9th Destinos…
Now Boarding: Bonnie’s Last Flight, a Sky‑High Comedy with Real Heart
Step Right Up and Ride the Cyclone (The Musical) at Metropolis Arlington Heights
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.