
The excitement begins as you walk up to the Mayslake Peabody Estate. It screams Poe, despite the fact that it was built around 1920, some 70 years after the great American writer’s death. Upon entering we are given a dance card. Two colors are distributed – blue and yellow. The card one receives determines the path they will take in experiencing an intimate peek inside the head of Edgar Allan Poe. Though the two paths start off in different directions, ultimately the audience is told the same story, though through a changed order of events. Essentially, two plays take place at one time.
First Folio’s “The Madness of Edgar Allan Poe: A Love Story” was a favorite of mine when I came across it in 2015. I felt it was one of the best, if not the best, play I had seen that year. This year, as we begin to wrap up 2018, I feel the exact same way. Christian Gray, who reprises the role of Poe, is an extraordinary actor and is allowed to cut loose in this play to give us the performance of a lifetime. The intensity and passion Gray gives to the role is authentic and would be tough to match by any other actor. Almost seemingly born for this role, Gray is a pleasure to behold in each and every scene, the audience getting their first taste of his command in the play’s opening act that revolves around Poe’s “The Bells”, just prior to splitting up on different paths. "Bells! Bells! Bells! Bells! Bells!"
The play moves from room to room throughout the Tudor Revival styled mansion as scenes break out in several rooms, the staircase and hallways. The interior of the mansion perfectly provides such a sincere set it would be easy to imagine we are lost in time with Poe and the characters he created. Each location holds setting for a different story, though the overall theme clearly revolves around the love between Poe and his much younger wife (and cousin), Virginia. After all, this is a love story and a remarkable one at that as we see - and feel - Edgar and Virginia's undying love for each other throughout the play.
Executive Director David Rice’s masterful piece is nothing short of brilliant as every nuance and touch are considered to make the journey all the more unforgettable. Favorite stories by Poe are acted out with the rich flavor they so much deserve. Sam Pearson’s energy-filled performance as The Madman in Poe’s “Tell-Tale Heart” is as intense as it is memorable while Mbali Guliwe take on The Prisoner in “The Pit and the Pendulum” penetrates through the crowd in the intimate setting of the once pitch-black room.
Poe’s wife, Virginia, is well-played by Erica Bittner, her best as she beautifully delivers the poem she had written for her husband. The love between the two is real and eternal. This is aided by Skyler Schrempp’s great direction and executed by Gray and Bittner’s exceptional performances.
The entire audience reunites for the play’s final act, “The Masque of the Red Death”. It is a triumphant finale to an incredible journey. The scene is elegant but foreboding. It is, the perfect ending to a nearly flawless production.
Christian Gray is a force. Gray’s performance alone is worth the price of admission - easily. But when you add several other dynamic acting performances, its truly unique one-of-a-kind setting along with the masterful writing and staging to support such an incredible story, this play is one of the biggest theatre bargains of the year – and it should be experienced by everyone.
With Halloween just around the corner, the air is right and the mood inviting for First Folio’s classic take on Edgar Allan Poe.
Highly recommended.
“The Madness of Edgar Allan Poe: A Love Story” is being performed at Mayslake Peabody Estate in Oakbrook through November 4th. For tickets and/or more information, please visit www.firstfolio.org.
Detroit was burning in the summer of 1967, inside one basement, life was still going on. That contrast is at…
Rivendell Theatre Ensemble closes its milestone 30th season with Bonnie’s Last Flight, a sly, sky‑high comedy set during a flight…
If anyone has ever told you to buckle up and enjoy the ride, they were talking about life—and even if…
Erik Gernand is resident playwright at Redtwist Theatre, and his Prayer Circle is absolutely laugh-out-loud funny. The strength of this…
Steppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to present Graceful Warrior: An Evening with Gary Sinise on Tuesday, November…
Studebaker Theater, P3 Productions and Audible, in collaboration with Teatro Vista Productions, present the Chicago premiere of the groundbreaking, award-winning new hip-hop musical Mexodus, written and performed…
American Blues Theater, under the continued leadership of Executive Artistic Director Gwendolyn Whiteside, presents Halloween Boo Bash, its annual costumed fundraiser benefiting artists' wages…
What happens when three young people discover hip-hop and realize they might have something to say? Idris Goodwin’s How We…
Open Space Arts presents BEFORE WE ARE HISTORY, a three-week theatrical exploration of LGBTQ+ theater created during and in response to…
Northlight Theatre opened its new venue with Jeffrey Hatcher’s smart, rejuvenated adaptation of The Front Page. Commissioned by Artistic Director…
There are some productions you watch, and then there are productions that make your heart swoon and your toe tap.…
Overshadowed Productions’ Flame of Fire revisits one of the most polarizing true stories in mid‑century missionary history, and the result…
At intermission, I sent Ken, Buzz Center Stage’s managing editor, a text: “So thankful I made it!! It’s intermission, and…
Coincidentally (or not), Victory Gardens’ new play about a controversial campus speaker opens just days after the one-year anniversary of…
Babes With Blades Theatre Company’s (BWBTC) announced today new production dates for the final production in its 2026 season, William Shakespeare’s King…
Sometimes when we reach into the past to resurrect or revive an old story, we find it doesn’t age well.…
Fleetwood -Jourdain Theatre, an award-winning theatre company that has been thrilling audiences with over four decades of unique, inspirational, and invigorating Black…
The Goodman wraps its 2025/2026 Centennial Season, an unprecedented line-up marking the 100th anniversary of Chicago's flagship not-for-profit theater, as the…
The greatest holiday show south of the North Pole returns for its 9th year with another brand spankin' new wintertide…
“Great Balls of Fire!” Chicago audiences have just one last chance to catch Paramount Theatre’s immersive musical Million Dollar Quartet, returning more…
Tis' the season for laughter and cheer! The Second City is decking its holiday lineup with shows for every sense…
Kokandy Productions’ Jekyll & Hyde, now presented by Broadway In Chicago at the Broadway Playhouse, arrives with the momentum of…
Chicago City Opera (CCO) presents the Chicago premiere of gothic horror opera Der Vampyr by composer Heinrich Marschner to a…
A Red Orchid Theatre is pleased to announce full casting for its Chicago premiere of Will Arbery's politically-charged drama Heroes of the Fourth Turning, directed…
Broadway In Chicago is thrilled to welcome trailblazing hip hop artist and Chicago legend Da Brat as special guest host…
Producer Jeffrey Seller and Broadway In Chicago have announced the world-premiere of the new musical THE PRINCESS BRIDE will begin performances in…
Ghostlight Ensemble's production of American Son, written by Christopher Demos-Brown and directed by Ebby Offord, opens on Friday, September 18,…
Marriott Theatre, Chicagoland's longest-running musical theatre, presents its 2027 subscription season featuring five thrilling and memorable musicals: Pippin, A Gentleman's Guide to…
Kokandy Productions is pleased to conclude its 2026 Season with A Clockwork Orange: A Play with Music, a live adaptation of Anthony Burgess's dystopian…
Collaboraction Theatre Company is thrilled to host a limited run of Unpacking Home by Chicago’s Raices to Roots as part of the 9th Destinos…
Now Boarding: Bonnie’s Last Flight, a Sky‑High Comedy with Real Heart
Step Right Up and Ride the Cyclone (The Musical) at Metropolis Arlington Heights
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.