Displaying items by tag: Jojo Jones
In Jojo Jones 'Veal,' Middle School Bullies Cower as Their Former Target Now Rules the World
Jojo Jones’ “Veal,” premiering at A Red Orchid Theatre in Old Town, is among the recent wave of plays set in a post-apocalyptic near future - the better to show how core social values and structures might play out for individuals placed abruptly in a clean-slate setting. The increasing frequency with which this plot line appears on stages and screens tells us much about the trending thoughts of playwrights, who likely are voicing societal angst about the state of things - and reasonably so.
Directed by dado, the apocalypse in “Veal” is loosely defined but certainly political in nature, a revolution that has reset things. We do know this much: it has resulted in the character Chelsea (well played by Alexandra Chopson) to be installed as Queen of North America. That simple fact packs loads of information: that the U.S., Mexican, and Canadian governments have fallen, their respective Constitutions trashed, and a monarch now rules.
That Queen Chelsea is likely a despotic type is suggested immediately by her regal demeanor in royal array, on a throne, and by her side a servant, Unnamed Male Concubine (Jasper Johnson) who sits silently a step below. When Chelsea descends from her throne to walk upon the floor below her, the silent Concubine unbidden gets on his hands and knees, and with infinite care wipes up the floor where Chelsea has trodden, then resumes his vigil on the step below.
Soon enough three characters arrive: Franny (Jojo Brown), Lulu (Carmia Imani) and Noa (Alice Wu), all of whom were in middle school with Chelsea 13 years ago. In fact, we learn, this setting is the very middle school they attended, a place this monarch has chosen as the site for her palace. She has resurfaced the floor with imported marble and demolished the gym.
“My advisers kept telling me to use the White House, but I’d never been there,” Chelsea lets her classmates know, and they all offer obsequities as they converse with her. Their fear and trepidation is palpable as they try to avoid taboo subjects or potentially incite Chelsea's anger.
“The Revolution was weird,” offers Franny, as Chelsea benevolently asks if they are hungry, then orders her Concubine to provide a repast for the visitors. This ends up being Lunchables that are 13 years past their expiration date, still sitting from their school days. This tips us off that Queen Chelsea harbors some resentments from those days.
Gingerly, they decline the food, except for LuLu, who having allowed that she was hungry, is now ordered to eat, and Chelsea shows her tyrannical side. After this set-to subsides, Franny reveals the reason for this visit: to petition the Queen of North America for medicine for her sister and she begins gingerly on her sibling’s behalf. “We all knew you would be successful,” Franny says of their middle school days. “But Queen of North America?!”
After that, a bit more groveling. “The revolution - huge fan - kinda messed up the supply chain,” Franny says, and lets Queen Chelsea know she cannot find insulin for her sister, a Type 1 diabetic, to which Chelsea replies, indirectly, that she is always being asked for things.
“You know, it is so hard. I keep getting people telling me I’m like Nero, or Caligula.” Though the subject of “Veal” is completely absorbing, every now and then I found myself thinking of current events and another despot who rules by whim, and loves to surround himself with sycophants.
As the action advances, Queen Chelsea dispatches the Unknown Male Concubine to look into insulin availability, but signals there will be a price to pay, and the play moves into territory somewhere between “Mean Girls” and “Carrie.” The dramatic tension hinges on whether and how much Queen Chelsea’s former classmates will debase themselves in the hopes of securing the insulin for Franny’s sister. Queen Chelsea forces them to re-enact the classroom scenes in which she suffered their bullying and ostracism. But eventually the trio reaches a limit, each on their own terms, and ultimately Queen Chelsea tires of the game.
The performances are really excellent, especially Alice Wu as Noa, and Jojo Brown, who does the lion's share of the dramatic heavy lifting as Franny. Accolades for the most intriguing character go to Jasper John as the Unknown Male Concubine, a largely silent role with huge stage presence.
“Veal” runs through November 9, 2025 at A Red Orchid Theatre, 1531 N. Wells in Chicago.
Standing Room Only Crowd for Chicago’s Leading Theater Artistic Directors
04 September 2026 in Theatre BuzzIt must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters,…
The Best of Us: Marriott Theatre’s Come From Away
03 September 2026 in Theatre in ReviewCome From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady,…
Steppenwolf Theatre Presents Revival of TOPDOG/UNDERDOG September 17 – November 1 / Rehearsals Underway
02 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning…
Chicago Black Dance Legacy Project Gala: Radiant & Sumptuous at the Harris
01 September 2026 in Dance in ReviewThe first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend…
Vape! The Grease Parody Is High-Energy Fluff
01 September 2026 in Theatre in ReviewVape! The Grease Parody, currently running at Chicago’s Apollo Theater through January, takes a satirical swing at the iconic 1978…
BrightSide Theatre Announces "Monte Carlo Night" 15th Anniversary Gala and Fundraiser on September 25
01 September 2026 in Theatre BuzzBrightSide Theatre will celebrate its 15th anniversary with "Monte Carlo Night," a gala and fundraiser, on Friday, September 25, 2026,…
GDC Hosts 19th Anniversary “Dancing With The Giordano Stars” Ballroom Dance Competition October 8th
01 September 2026 in Upcoming DanceGiordano Dance Chicago (GDC) hosts its highly anticipated 19th Anniversary "Dancing With The Giordano Stars" ballroom dance competition 7-11 p.m. Thursday, Oct. 8…
A Loving, Delight‑Packed Celebration: Joan Crawford Goes to Hell Marks 25 Years of Handbag
31 August 2026 in Theatre in ReviewHell in a Handbag Productions celebrates its 25th year with a revival of Joan Crawford Goes to Hell, a sharp,…
An Immersive Sunday in the Park with George at Kokandy Productions
31 August 2026 in Theatre in ReviewComposition, tension, balance, light, and harmony come together seamlessly in Kokandy Productions’ revival of Sondheim’s opus, ‘Sunday in the Park…
Robert Falls to Direct the World Premiere of FLYING MONKEYS, by L.C. Bernadine, at Redtwist Theatre, Dec 6 - Jan 17
31 August 2026 in Upcoming TheatreAward-winning Redtwist Theatre, launching its 22nd season with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director Dusty Brown, announces today…
Buffalo Theatre Ensemble Names Daniel Millhouse as New Managing Artistic Director
31 August 2026 in Theatre BuzzBuffalo Theatre Ensemble (BTE), the professional theater company in residence at the McAninch Arts Center (MAC), is pleased to announce that, in keeping…
Promethean Theatre Ensemble to offer talkbacks after selected performances BLOOD OF THE LAMB, opening September 5 and 6
31 August 2026 in Upcoming TheatrePromethean Theatre Ensemble announced today it will offer post-show audience talkbacks following two performances of their Chicago premiere of BLOOD OF…
City Lit’s Shane Saddles Up a Classic Western With Fresh Heart
30 August 2026 in Theatre in ReviewCity Lit Theatre’s world premiere of Shane, adapted for the stage and directed by Mark Pracht, brings a fresh, nostalgic…
In Sisters, Barrie Turns an AI Fable into an Impressive Character Study
29 August 2026 in Theatre in ReviewThe rise of artificial intelligence raises many questions about its effect on humanity. What does it mean if we become…
Buddy Holly’s Brilliance, Reawakened on the Drury Lane Stage
27 August 2026 in Theatre in ReviewDrury Lane Theatre opens its latest musical with a warm jolt of rock ’n’ roll energy as Buddy – The…
Kokandy's JEKYLL & HYDE Extended by Popular Demand
26 August 2026 in Upcoming TheatreBroadway In Chicago is pleased to announce a darkly delicious Halloween surprise: Kokandy Productions’ critically acclaimed revival of JEKYLL & HYDE will be extended…
Following Obama Center premiere, Manual Cinema's acclaimed productions return to Chicago's Studebaker Theater
26 August 2026 in Upcoming TheatreChicago-based Emmy Award-winning performance collective and film/video production company Manual Cinema premiered two new hand-animated films at the Obama Presidential Center Museum…
Playmakers Lab’s That’s Weird Grandma’s 25th Birthday is a fine place to giggle
25 August 2026 in Theatre in ReviewIf you need an energy boost, skip the can of Monster and get yourself, plus loved ones of any age,…
Victory Gardens Theater presents the World Premiere of Zayd Ayers Dohrn's The Humanities September 10 through October 4
25 August 2026 in Upcoming TheatreVictory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Lookingglass Kowalski starring Johnny Galecki and Jacob Moskovitz September 15 through October 25
25 August 2026 in Upcoming TheatreJoining the previously announced stars of Kowalski Johnny Galecki ("The Big Bang Theory," "The Little Dog Laughed") as Tennessee Williams and Jacob Moskovitz ("Elle") as Marlon…
Shattered Globe Theatre Opens 36th Season with Midwest Premiere of VLADIMIR October 2 – November 14 at Theater Wit
25 August 2026 in Upcoming TheatreShattered Globe Theatre is pleased to open its 36th Season with the Midwest premiere of Erika Sheffer's Vladimir, an unflinching drama of resistance directed by Ensemble Member Lou Contey*,…
TICKETS FOR A 20 RETURNS WITH SPECIALLY PRICED $20 TICKETS FROM HOT TIX AUGUST 27-SEPTEMBER 14, 2026
24 August 2026 in Theatre BuzzThe League of Chicago Theatres announces the return of Tickets for a 20. From Thursday, August 27 through Monday, September 14, 2026, theatregoers can…
Babes With Blades's announces William Shakespeare's KING LEAR, October 15 - November 21
24 August 2026 in Upcoming TheatreBabes With Blades Theatre Company’s (BWBTC), now presenting the world premiere of yo ho. through August 29 at The Edge Off-Broadway, shares the…
BrightSide Theatre announces THE ADDAMS FAMILY MUSICAL, to play October 2 - 18
24 August 2026 in Upcoming TheatreBrightSide Theatre has announced cast and crew for THE ADDAMS FAMILY MUSICAL - the kickoff production of BrightSide's 15th Anniversary season.…
35th Annual Dance for Life Saturated with Excellence
23 August 2026 in Dance in ReviewFrom its beginning in 1992 on the tiny stage of a modest theater, Dance for Life (DFL) has grown and…
Chicago Shakespeare Theater announces Two Shakespeare Productions in Repertory beginning October 13 - January 3
21 August 2026 in Upcoming TheatreChicago Shakespeare Theater (CST) announces the cast and creative team for the company's fall Shakespeare Repertory productions, an unforgettable theatrical event at the heart…
Rising star Jacob Moskovitz to play Marlon Brando in the Chicago presentation of Kowalski at Lookingglass Theatre
20 August 2026 in Theatre in ReviewRising star Jacob Moskovitz ("Elle") has joined the cast of Kowalski as Marlon Brando, alongside previously announced Chicago theater veteran Johnny Galecki ("The Big Bang Theory," "The Little…
McHenry Outdoor Theater: Nostalgia With a Modern Heartbeat
20 August 2026 in Theatre BuzzThere was a particular kind of magic to seeing a movie outside when I was a kid in 1970s Chicago…
‘Anatomy of a Suicide’ Is Hard to Watch, But Not Because of the Subject
18 August 2026 in Theatre in ReviewPerhaps surprisingly, Anatomy of a Suicide is not an overwhelmingly emotionally gripping play, nor is it horrifying. Instead, it vividly…
Gwydion Theatre Company presents The Chicago Premiere of Por’ Knockers at the Greenhouse Theater’s Studio 44 September 10 - October 4
18 August 2026 in Upcoming TheatreThis narrative tracks five individuals within the "People’s Diasporatic Party"—outfitted in corporate attire—as they take refuge in a desolate East…
Latest Articles
-
Standing Room Only Crowd for Chicago’s Leading Theater Artistic Directors
Written by Bill EslerIt must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters, to be greeted by a standing room only crowd. But there they were, on a panel moderated by the eminent… -
The Best of Us: Marriott Theatre’s Come From Away
Written by Kimberly KatzCome From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady, everyday kindness people offer when they have nothing else to give. Rather than revisiting the events of September 11 themselves,… -
Steppenwolf Theatre Presents Revival of TOPDOG/UNDERDOG September 17 – November 1 / Rehearsals Underway
Written by Buzz Center StageSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning director Kenny Leon, who returns to Steppenwolf following his hit production of King James. Ensemble members Glenn Davis (Windfall, Purpose–Chicago/Broadway, King James) and Namir Smallwood (Windfall, The Book of… -
Chicago Black Dance Legacy Project Gala: Radiant & Sumptuous at the Harris
Written by Mitchell OldhamThe first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend is language. The eloquence and weight of the words used to explain why the Chicago Black Dance Legacy Project (CBDLP)…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.