Displaying items by tag: Christine Pedi
Do You Like To Laugh Until It Hurts? Spamilton Delivers
The hip-hop Broadway in Chicago sensation Hamilton, which, has spawned a secondary market in pricey theater tickets, has also delivered a pair of spin-offs. Shamilton, an improv riff at the Apollo, and now, notably, Spamilton, a send up of the original musical about the founding fathers of the U.S.
Is it funny if you haven’t seen the original? The short answer is yes – because following the opening sets based on Hamilton, the show quickly turns its sites on other long-time Broadway shows like Cats and Phantom of the Opera, warhorses like Camelot, and shows of more recent vintage like Wicked and Book of Mormon.
The creative force behind the show is Gerard Alessandrini, the originator of the 1982 "Forbidden Broadway," which was similar in format, and has been rewritten and updated more than a dozen times. It has played around the world, including Chicago - I’ve seen two different versions here.
For all practical purposes, Spamilton is the newest Forbidden Broadway, and on some levels it exceeds the earlier ones in appeal.
The key to the storyline is Broadway’s perpetual and desperate struggle to save itself, and to create a new vision of the big musical show. Show business has been mired in novelties like Book of Mormon and the puppet-based Avenue Q; overproduced extravaganza with no memorable songs, like Spiderman; or Sondheim light operetta that those outside the cognoscenti may find hard to sit through.
Alessandrini picks up this scent of desperation, and seizes on Broadway producers struggles with wickedly funny original song and dance numbers that sample or mash-up the originals. Clinging to revivals of Rogers & Hammerstein or Leonard Bernstein; turning over theaters to somewhat vapid Disney productions like Aladdin and Newsies, these producers become fodder for fun in Spamilton.
The show parodies this desperation with another extreme: combining previously successful shows.
A perfect example comes around 10 minutes in, as the Spamilton players switch gears and time periods to present The Lion King & I. Anna the English Governess in hoop skirts dons a Julie Traymor head set in a duet with a squawking animal character. Let’s say I chortled heartily.
The show runs at a mad-cap pace, and even if you don’t get all the references, it’s still funny. A scene of an axe wielding gentleman clad just in Fruit of the Looms is a send up of American Psycho (I think, after Googling). It was funny even though I didn’t know exactly what the reference was.
Wicked and Book of Mormon – once the pricey ‘it’ shows, now discounting tickets like any other production – get nailed pointedly, having yielded star status to Hamilton. Scenes are punctuated by a running gag: homeless ladies in rags begging for Hamilton tickets – understood to be based on true stories of famous stars desperate for seating.
A Barbra Streisand impersonation finds the aging diving singing in signature reverb, advising that when Hamilton is filmed, she wants to play a role in “The Film When It Happens.” Likewise, J-Lo and Gloria Estefan walk-on, each hoping to tap the mojo of Hamilton. Liza Minnelli appears, but runs the other direction - and asks that rap be banned on Broadway, so they can “bring back the tunes.”
The show reveals broader awareness in a number, Straight is Back, which laments the loss of gay show tunes and glitter, as productions like Hamilton skew to more manly styles.
You can get a taste of Spamilton from the original New York cast album, just released. But it pales compared to the experience of seeing this cast of amazing dancers and singers, and their great comedic timing: Donterrio Johnson, Michelle Lauto, Eric Andrew Lewis, Yando Lopez, David Robbins, and guest diva Christine Pedi (she's the Streisand character among others), with musical direction by Adam LaSalle.
While Hamilton’s original star Lin-Manuel Miranda love “laughed my brains out!" when he saw the show, during last Sunday’s production the Chicago cast of Hamilton was in the audience – and they had a blast.
Gerry McIntyre did the choreography; Dustin Cross gets Costume Design; , Fred Barton (Musical Director), and Richard Danley and Fred Barton (Musical Arrangements). "Spamilton" is produced in Chicago by John Freedson, David Zippel, Gerard Alessandrini, Margaret Cotter and Liberty Theatricals, in association with JAM Theatricals. Chuckie Benson and Arielle Richardson are the understudies the production.
"Spamilton" plays Tuesdays through Fridays at 7:30 p.m., Saturdays at 5 p.m. and 8 p.m. and Sundays at 2 p.m. and 5 p.m. at the Royal George Theater. www.spamilton.com
Standing Room Only Crowd for Chicago’s Leading Theater Artistic Directors
04 September 2026 in Theatre BuzzIt must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters,…
The Best of Us: Marriott Theatre’s Come From Away
03 September 2026 in Theatre in ReviewCome From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady,…
Steppenwolf Theatre Presents Revival of TOPDOG/UNDERDOG September 17 – November 1 / Rehearsals Underway
02 September 2026 in Upcoming TheatreSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning…
Chicago Black Dance Legacy Project Gala: Radiant & Sumptuous at the Harris
01 September 2026 in Dance in ReviewThe first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend…
Vape! The Grease Parody Is High-Energy Fluff
01 September 2026 in Theatre in ReviewVape! The Grease Parody, currently running at Chicago’s Apollo Theater through January, takes a satirical swing at the iconic 1978…
BrightSide Theatre Announces "Monte Carlo Night" 15th Anniversary Gala and Fundraiser on September 25
01 September 2026 in Theatre BuzzBrightSide Theatre will celebrate its 15th anniversary with "Monte Carlo Night," a gala and fundraiser, on Friday, September 25, 2026,…
GDC Hosts 19th Anniversary “Dancing With The Giordano Stars” Ballroom Dance Competition October 8th
01 September 2026 in Upcoming DanceGiordano Dance Chicago (GDC) hosts its highly anticipated 19th Anniversary "Dancing With The Giordano Stars" ballroom dance competition 7-11 p.m. Thursday, Oct. 8…
A Loving, Delight‑Packed Celebration: Joan Crawford Goes to Hell Marks 25 Years of Handbag
31 August 2026 in Theatre in ReviewHell in a Handbag Productions celebrates its 25th year with a revival of Joan Crawford Goes to Hell, a sharp,…
An Immersive Sunday in the Park with George at Kokandy Productions
31 August 2026 in Theatre in ReviewComposition, tension, balance, light, and harmony come together seamlessly in Kokandy Productions’ revival of Sondheim’s opus, ‘Sunday in the Park…
Robert Falls to Direct the World Premiere of FLYING MONKEYS, by L.C. Bernadine, at Redtwist Theatre, Dec 6 - Jan 17
31 August 2026 in Upcoming TheatreAward-winning Redtwist Theatre, launching its 22nd season with Prayer Circle, September 17 - November 8, by Erik Gernand and directed by Executive Artistic Director Dusty Brown, announces today…
Buffalo Theatre Ensemble Names Daniel Millhouse as New Managing Artistic Director
31 August 2026 in Theatre BuzzBuffalo Theatre Ensemble (BTE), the professional theater company in residence at the McAninch Arts Center (MAC), is pleased to announce that, in keeping…
Promethean Theatre Ensemble to offer talkbacks after selected performances BLOOD OF THE LAMB, opening September 5 and 6
31 August 2026 in Upcoming TheatrePromethean Theatre Ensemble announced today it will offer post-show audience talkbacks following two performances of their Chicago premiere of BLOOD OF…
City Lit’s Shane Saddles Up a Classic Western With Fresh Heart
30 August 2026 in Theatre in ReviewCity Lit Theatre’s world premiere of Shane, adapted for the stage and directed by Mark Pracht, brings a fresh, nostalgic…
In Sisters, Barrie Turns an AI Fable into an Impressive Character Study
29 August 2026 in Theatre in ReviewThe rise of artificial intelligence raises many questions about its effect on humanity. What does it mean if we become…
Buddy Holly’s Brilliance, Reawakened on the Drury Lane Stage
27 August 2026 in Theatre in ReviewDrury Lane Theatre opens its latest musical with a warm jolt of rock ’n’ roll energy as Buddy – The…
Kokandy's JEKYLL & HYDE Extended by Popular Demand
26 August 2026 in Upcoming TheatreBroadway In Chicago is pleased to announce a darkly delicious Halloween surprise: Kokandy Productions’ critically acclaimed revival of JEKYLL & HYDE will be extended…
Following Obama Center premiere, Manual Cinema's acclaimed productions return to Chicago's Studebaker Theater
26 August 2026 in Upcoming TheatreChicago-based Emmy Award-winning performance collective and film/video production company Manual Cinema premiered two new hand-animated films at the Obama Presidential Center Museum…
Playmakers Lab’s That’s Weird Grandma’s 25th Birthday is a fine place to giggle
25 August 2026 in Theatre in ReviewIf you need an energy boost, skip the can of Monster and get yourself, plus loved ones of any age,…
Victory Gardens Theater presents the World Premiere of Zayd Ayers Dohrn's The Humanities September 10 through October 4
25 August 2026 in Upcoming TheatreVictory Gardens Theater (2433 N. Lincoln Avenue), an historic incubator for new play development, proudly announces the World Premiere staging of The…
Lookingglass Kowalski starring Johnny Galecki and Jacob Moskovitz September 15 through October 25
25 August 2026 in Upcoming TheatreJoining the previously announced stars of Kowalski Johnny Galecki ("The Big Bang Theory," "The Little Dog Laughed") as Tennessee Williams and Jacob Moskovitz ("Elle") as Marlon…
Shattered Globe Theatre Opens 36th Season with Midwest Premiere of VLADIMIR October 2 – November 14 at Theater Wit
25 August 2026 in Upcoming TheatreShattered Globe Theatre is pleased to open its 36th Season with the Midwest premiere of Erika Sheffer's Vladimir, an unflinching drama of resistance directed by Ensemble Member Lou Contey*,…
TICKETS FOR A 20 RETURNS WITH SPECIALLY PRICED $20 TICKETS FROM HOT TIX AUGUST 27-SEPTEMBER 14, 2026
24 August 2026 in Theatre BuzzThe League of Chicago Theatres announces the return of Tickets for a 20. From Thursday, August 27 through Monday, September 14, 2026, theatregoers can…
Babes With Blades's announces William Shakespeare's KING LEAR, October 15 - November 21
24 August 2026 in Upcoming TheatreBabes With Blades Theatre Company’s (BWBTC), now presenting the world premiere of yo ho. through August 29 at The Edge Off-Broadway, shares the…
BrightSide Theatre announces THE ADDAMS FAMILY MUSICAL, to play October 2 - 18
24 August 2026 in Upcoming TheatreBrightSide Theatre has announced cast and crew for THE ADDAMS FAMILY MUSICAL - the kickoff production of BrightSide's 15th Anniversary season.…
35th Annual Dance for Life Saturated with Excellence
23 August 2026 in Dance in ReviewFrom its beginning in 1992 on the tiny stage of a modest theater, Dance for Life (DFL) has grown and…
Chicago Shakespeare Theater announces Two Shakespeare Productions in Repertory beginning October 13 - January 3
21 August 2026 in Upcoming TheatreChicago Shakespeare Theater (CST) announces the cast and creative team for the company's fall Shakespeare Repertory productions, an unforgettable theatrical event at the heart…
Rising star Jacob Moskovitz to play Marlon Brando in the Chicago presentation of Kowalski at Lookingglass Theatre
20 August 2026 in Theatre in ReviewRising star Jacob Moskovitz ("Elle") has joined the cast of Kowalski as Marlon Brando, alongside previously announced Chicago theater veteran Johnny Galecki ("The Big Bang Theory," "The Little…
McHenry Outdoor Theater: Nostalgia With a Modern Heartbeat
20 August 2026 in Theatre BuzzThere was a particular kind of magic to seeing a movie outside when I was a kid in 1970s Chicago…
‘Anatomy of a Suicide’ Is Hard to Watch, But Not Because of the Subject
18 August 2026 in Theatre in ReviewPerhaps surprisingly, Anatomy of a Suicide is not an overwhelmingly emotionally gripping play, nor is it horrifying. Instead, it vividly…
Gwydion Theatre Company presents The Chicago Premiere of Por’ Knockers at the Greenhouse Theater’s Studio 44 September 10 - October 4
18 August 2026 in Upcoming TheatreThis narrative tracks five individuals within the "People’s Diasporatic Party"—outfitted in corporate attire—as they take refuge in a desolate East…
Latest Articles
-
Standing Room Only Crowd for Chicago’s Leading Theater Artistic Directors
Written by Bill EslerIt must have been heavenly for the creative leaders of Goodman, Steppenwolf, Chicago Shakespeare and Court, Chicago’s top regional theaters, to be greeted by a standing room only crowd. But there they were, on a panel moderated by the eminent… -
The Best of Us: Marriott Theatre’s Come From Away
Written by Kimberly KatzCome From Away begins from a place of deep uncertainty, yet what emerges is a story grounded in the steady, everyday kindness people offer when they have nothing else to give. Rather than revisiting the events of September 11 themselves,… -
Steppenwolf Theatre Presents Revival of TOPDOG/UNDERDOG September 17 – November 1 / Rehearsals Underway
Written by Buzz Center StageSteppenwolf Theatre Company, the nation's premier ensemble theater company, is pleased to launch its 51st Season with Suzan-Lori Parks' Pulitzer Prize-winning drama Topdog/Underdog, helmed by Tony Award-winning director Kenny Leon, who returns to Steppenwolf following his hit production of King James. Ensemble members Glenn Davis (Windfall, Purpose–Chicago/Broadway, King James) and Namir Smallwood (Windfall, The Book of… -
Chicago Black Dance Legacy Project Gala: Radiant & Sumptuous at the Harris
Written by Mitchell OldhamThe first thing you notice about the meticulously curated Black dance performance held at the Harris Theater over the weekend is language. The eloquence and weight of the words used to explain why the Chicago Black Dance Legacy Project (CBDLP)…
Does your theatre company want to connect with Buzz Center Stage or would you like to reach out and say "hello"? Message us through facebook or shoot us an email at This email address is being protected from spambots. You need JavaScript enabled to view it..
*This disclaimer informs readers that the views, thoughts, and opinions expressed in the text belong solely to the author, and not necessarily to Buzz Center Stage. Buzz Center Stage is a non-profit, volunteer-based platform that enables, and encourages, staff members to post their own honest thoughts on a particular production.