BCS Spotlight

Buzz Center Stage

Buzz Center Stage

Broadway In Chicago is excited to announce that single tickets for the first national tour of SUFFS, the acclaimed Tony Award®-winning  musical about the passionate American women who fought tirelessly for the right to vote, will go on sale Monday, March 30. The inspiring, award-winning musical will play Broadway In Chicago’s CIBC Theatre (18 W. Monroe St.) for a limited two-week engagement, July 7-19.

Created by Shaina Taub, the first woman to ever independently win Tony Awards for Best Book and Best Score in the same season, this “thrilling, inspiring and dazzlingly entertaining” (Variety) new musical boldly explores the triumphs and failures of a struggle for equality that’s far from over. It’s a given that the women of the suffragist movement—who called themselves “Suffs” for short—were brilliant, but as they fought tirelessly for the right to vote, they were also flawed, stubborn, passionate and funny. SUFFS tells their story: the remarkable friendships, the heartbreak, and how this movement brought them together—or, in some cases, tore them apart.

SUFFS is winner of the Outer Critics’ Circle Award for Best New Musical, two Drama Desk Awards including Best Score, and is “unquestionably the most emotionally stirring musical of the season” (Chicago Tribune). The successful Broadway production played a 10-month run at the Music Box Theatre from April 18, 2024, through January 5, 2025, and the first national tour marches across North America, after launching this past September in Seattle, WA.
 

“THRILLING, INSPIRING, AND DAZZLINGLY ENTERTAINING.” – Variety


SUFFS features book, music and lyrics by Tony Award®-winner Shaina Taub, direction by Tony Award-nominee Leigh Silverman (Violet, Yellow Face), choreography by Mayte Natalio (How to Dance in Ohio), music supervision by Andrea Grody, scenic design by Christine Peters, original Broadway scenic design by Tony Award-nominee Riccardo Hernández (Jagged Little Pill), costume design by Oscar and Tony Award-winner Paul Tazewell (Hamilton, Death Becomes Her), lighting design by Tony Award-nominee Lap Chi Chu (Camelot ), hair and wig design by award-winning Charles G. Lapointe, makeup design by Joe Dulude II, sound design by Jason Crystal (Sweeney Todd) with associate Sun Hee Kil (Choir Boy), orchestrations by Tony Award-winner Michael Starobin (Next to Normal), vocal arrangements by Shaina Taub and Andrea Grody (The Band’s Visit), incidental music arrangements by Shaina TaubAndrea Grody, and Michael Starobin, associate direction by Lori Elizabeth Parquet, associate choreography by Hawley Gould, and general management by 101 Productions, Ltd.

The Grammy-Award nominated Original Cast Recording of SUFFS is available from Atlantic Records here.

For information about SUFFS visit suffsmusical.com. Follow on InstagramTikTok X , YouTube, and Facebook @SUFFSMusical

PERFORMANCE SCHEDULE
Tuesday, July 7 – 7:00 p.m.
Wednesday, July 8 – 7:00 p.m.
Thursday, July 9 – 7:00 p.m.
Friday, July 10 – 7:00 p.m.
Saturday, July 11 – 2:00 p.m. & 7:30 p.m.
Sunday, July 12 – 1:00 p.m. & 6:30 p.m.

Tuesday, July 14 – 7:00 p.m.
Wednesday, July 15 – 1:00 p.m. & 7:00 p.m.
Thursday, July 16 – 7:00 p.m.
Friday, July 17 – 7:00 p.m.
Saturday, July 18 – 2:00 p.m. & 7:30 p.m.
Sunday, July 19 – 1:00 p.m.

TICKET INFORMATION (as of March 26, based on availability and subject to change)
Individual tickets for SUFFS will go on sale on Monday, March 30 and range from $38.00 - $133.00 with a select number of premium tickets available. Ticket price listed is when purchased in person at the box office. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing This email address is being protected from spambots. You need JavaScript enabled to view it.. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 26 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.
 

For more information and tickets, visit www.BroadwayInChicago.com.
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Thursday, 26 March 2026 11:23

Opera Festival of Chicago Returns this June

The Opera Festival of Chicago announces its sixth season with the theme Bohemian Tragedy and that tickets are now on sale for the 2026 season, June 13 - July 5.

The 2026 Opera Festival of Chicago kicks off with its leading artists in concert in Very Verismo! on Saturday, June 13 at 7:30 p.m. at the Jarvis Opera Hall at DePaul University, 800 W. Belden Ave.  

The first fully-staged opera, La Bohème by Giacomo Puccini, opens Friday, June 26 at 7:30 p.m. with additional performances Wednesday, July 1 at 7:30 p.m. and Sunday, July 5 at 2 p.m. at the George Van Dusen Theatre at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., Skokie.

The final production of the season is Adriana Lecouvreur by Francesco Cilea, Sunday, June 28 at 2 p.m and Friday, July 3 at 7:30 p.m., also at the George Van Dusen Theatre at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., Skokie.

Press release, images and headshots here: https://drive.google.com/drive/folders/1RDBX-1yxprtvF9XogxojSb7O0RCFVfHk?usp=sharing

More information here: OperaFestivalChicago.org

Rivendell Theatre Ensemble, Chicago's only professional theater that seeks to advance women through the power of storytelling, announces the cast for the world premiere of Do Something Pretty by Melissa Ross (The Luckiest, Thinner Than Water, Nice Girl,  A Life Extra Ordinary), directed by Rivendell favorite, Jessica Fisch (The Firebirds Take the Field, I Wanna F**king Tear You Apart). Do Something Pretty runs May 2 – June 7, 2026, as part of Rivendell's 30th Anniversary Season of new plays. 

The 30th Anniversary Season takes place at Rivendell's home, 5779 N. Ridge Avenue in Chicago. Tickets are priced at $28 for previews and $38 for regular performances. Angel and Sponsor tickets are priced $58 and $88 and include a donation. Discounts are available for seniors, students, and military. Tickets go on sale March 23 at rivendelltheatre.org/dosomethingpretty and (773) 334-7728.

Summer of 1992. The United States is in a recession. Arkansas Governor Bill Clinton is about to run for president. Kurt is married to Courtney. Yo MTV Raps is on the TV.  And Zach Morris is the only kid with a cell phone.

On a hot August night in a small Massachusetts town the last few weeks before school starts. Three teens try to navigate their way through the murky path to adulthood. Phoebe wants to grow up. Jason wants Evie. And Evie just wants to get as far away from everyone as she possibly can.


Artistic Director Tara Mallen comments, "A few years ago, I was inducted into to the world of Melissa Ross when I was cast in one of her (stunning) plays The Luckiest at Raven Theatre. What struck me most was these complicated, messy, outrageously human women that Melissa centers in all her plays are all portrayed as subjects rather than objects. In 2026, it shouldn't be the case that this is a rarity—but I promise you that it is. So, when Melissa reached out asking if Rivendell might be interested in her brand-new play depicting two sisters—one on the brink of teendom and the other on the edge of adulthood—I jumped at the chance. I am so delighted to welcome Chicago audiences to hearken back to 1992 and bring Do Something Pretty to our stage at Rivendell."

This world premiere production of Do Something Pretty marks ensemble member Katherine Mallen Kupferer's (Phoebe) Rivendell debut. ​The cast also features Jasper Johnson (Matt)Reilly Oh (Jason) and Jocelyn Zamudio (Evie).

The creative team includes Daira Rodriguez (Assistant Director), Lindsay Mummert (Scenic Design), Saawan Tiwari (Costume Design), Sierra Walker (Lighting Design), Eric Backus (Sound Design), and RTE Ensemble Members Sarah Slight (Dramaturg), and Caroline Michele Uy (Associate Dramaturg). The Production Stage Manager is Rita Vreeland and the Artistic Producer is RTE Member Pat Fries (Artistic Producer).

Rivendell is offering a special mid-season RivPass good for the remainder of its 30th Anniversary Season. The $65 subscription includes a ticket to the 2nd and 3rd mainstage shows.  Purchase this offer atrivendelltheatre.org/tickets or by emailing General Manager Trisha Hooper at This email address is being protected from spambots. You need JavaScript enabled to view it..

The Do Something Pretty lead production sponsors are Maureen and Anna Miller. Rivendell's 30th Anniversary Season is sponsored by Sharon I. Furiya.

FACTS / Do Something Pretty

Do Something Pretty

A world premiere by Melissa Ross

Directed by Jessica Fisch

May 2 – June 7, 2026

Cast: RTE member Katherine Mallen Kupferer (Phoebe) with Jasper Johnson (Matt)Reilly Oh (Jason) and Jocelyn Zamudio (Evie).

Creative Team: Daira Rodriguez (Assistant Director), Lindsay Mummert (Scenic Design), Saawan Tiwari (Costume Design), Sierra Walker (Lighting Design), Eric Backus (Sound Design), and RTE Ensemble Members Sarah Slight (Co-Dramaturg), and Caroline Michele Uy (Co-Dramaturg). The Production Stage Manager is Rita Vreeland and the Artistic Producer is RTE Member Pat Fries.

Dates:

Previews: May 2-8, 2026

Saturday, May 2 at 8pm

Sunday, May 3 at 3 pm

Tuesday, May 5 at 8pm

Wednesday, May 6 at 8pm

Thursday, May 7 at 8pm

Friday, May 8, at 8pm

Gala Opening: Sunday, May 10 at 6pm

Press Opening: Monday, May 11 at 7pm

Regular Run: May 15 – June 7, 2026

Thursday-Saturday at 8pm; Saturday at 4pm

Added Performances: Sundays, May 24 and May 31 at 3pm


Open Caption: Thurs May 21 at 8pm; Saturday May 30 at 4pm

Town Halls: Friday May 8, Young Industry Professionals; Saturday May 23 after 4pm performance

Aurora’s Paramount Theatre returns to one of the reasons it’s become the largest subscription theater in the U.S. – producing and presenting bold reinventions of classic American musicals – with Rodgers and Hammerstein’s South Pacific. Performances of Paramount’s 2025-26 Broadway Series finale are April 29-June 14, 2026.

Get ready for one enchanted evening when Paramount delivers this American classic musical in a classy new way. Set in a tropical paradise with warm sea breezes, breathless sunsets and B-29 Bombers, South Pacific is arguably the most romantic musical of all time, and also an uplifting tale that reminds us all of the importance of celebrating cultural differences.

The story follows World War II armed services personnel through spy missions, war-time drama and romance. While balancing duties to their country with island expectations, U.S. Navy nurse Nellie Forbush and lieutenant Joseph Cable each suddenly find themselves irresistibly falling in love on foreign soil. But will that love translate back in the States?

Think “spectacle” when you think Paramount’s South Pacific. This production promises a talented cast of 36 actors/singers/dancers – one of Paramount’s largest ever – performing Rodgers and Hammerstein’s lush score played by a 15-piece orchestra, which even includes a harp. Add costumes hand crafted by Paramount artisans, and a tropical scenic design anchored by 20-foot palm trees with elements hewn from a half a mile of bamboo, 18,000-square-feet of netting and 10,000-square-feet of hand-painted muslin.

Of course, South Pacific is a 10-time Tony Award-winner, including Best Book and Best Score, and it features some of Rodgers and Hammerstein’s most memorable showtunes like “Some Enchanted Evening,” “I’m Gonna Wash That Man Right Outa My Hair” and of course, “Bali Ha’i.” It’s also an iconic, complex and important piece of musical theater that reminds us to celebrate cultural differences and the value of people unlike ourselves.

South Pacific holds such beauty - in the setting, in the romance, and especially in the score. What’s special to me, however, is the way that this iconic musical also brings a complex story about love, war and race to the stage,” said co-director Devon Hayakawa. “As a daughter to an Asian American dad and a Caucasian mom, South Pacific means an awful lot to me. When I saw it growing up, it marked the first time I saw myself truly represented onstage - in the most accurate way, with Ngana and Jerome, but also in seeing Asian and Pacific Islander bodies on stage at all. What Trent and I are particularly excited about is to utilize the text, along with the excellent historical work of our dramaturgy team, to really deepen the characters of Bloody Mary and Liat.”

“I'm beyond excited to have South Pacific on Paramount’s stage. For one, it has some of the best music in all of musical theater history, the show's genre defining, and there's not a bad song in the entire show,” said co-director Trent Stork. “South Pacific also has a profound story full of complex characters. We’ve got Nellie Forbush, who joins the Navy to get away from her mother, see the world, and meet different kinds of people, even though she’s unprepared for what that will ask of her. We have Emile de Becque with his two children from a previous marriage, falling in love again. Bloody Mary is actually the smartest person on the island, using the war to make money, get ahead, and provide a life for her daughter."

Ticket information

South Pacific begins previews Wednesday, April 29.  Performances run through June 14: Wednesday at 1:30 p.m. and 7 p.m.; Thursday and Friday at 7 p.m.; Saturday at 2 p.m. and 7 p.m.; Sunday at 1 p.m. and 5:30 p.m. (Exception: No matinee Wednesday, April 29.) Tickets are $31-$106*,  a fraction of the cost to see a show in downtown Chicago. Plus downtown Aurora boasts easy, affordable parking and new restaurants all around. *Prices listed when tickets are purchased in-person. Additional fees apply for phone and online orders.

Paramount Theatre is located at 23 E. Galena Blvd. in downtown Aurora. For tickets, visit ParamountAurora.com, call (630) 896-6666, or stop by the Paramount box office Monday through Saturday, 10 a.m. to 6 p.m., and until show time on show days. For group discounts, contact Melissa Striedl, This email address is being protected from spambots. You need JavaScript enabled to view it. or (630) 723-2461.

Paramount: Making live theater accessible to all

Paramount will offer two Pay What You Can previews Thursday, April 30 at
7 p.m. and Saturday, May 2 at 2 p.m. See ParamountAurora.com/Pay-What-You-Can for details. 

Paramount will offer open captioning Wednesday, June 3 at 1:30 p.m. and American Sign Language interpretation Friday, June 12 at 7 p.m. 

Paramount offers free assistive listening devices at all performances. Check in at the coat room before the show to borrow a device. If you require wheelchair or special seating or other assistance, please contact the box office in advance at (630) 896-6666 or This email address is being protected from spambots. You need JavaScript enabled to view it..

South Pacific: Behind the scenes

Paramount’s cast for South Pacific features Allsun O'Malley as Nellie Forbush, Devin Archer as Emile De Becque, Anthony Maggio as Lt. Joseph Cable, Cindy Chang as Bloody Mary, Matthew Michael Janisse as Luther Billis, Louisa Darr as Liat, Esteban Ortiz-Villacorta as Professor, Joshua L. Green as Capt. George Brackett, David Rossetti as Cmdr. William Harbison and Chris Khoshaba as Stewpot. The ensemble includes Karmann Bajuyo, Matty Bettencourt, Michael Brown, Kristen Das, Loreto Delgado III, Nick Druzbanski, Dan Gold, Mai Hartwich, Emily Holland, Dario Amador Lage, Will Leonard, Carolyn Anne Miller, Ashton Norris, Mollie Peery, Callan Roberts, David Sajewich, Morgan Schoenecker, Allison Sill, Zachary Joel Smits, Tommy Thams, Shelbi Voss and Marek Zurowski. Youth performers Evelyn Dorough and Elle Laroco alternate in the role of Ngana, and Bennet Angsurat and Vin Laroco alternate as Jerome.

Paramount’s production team is led by co-directors Trent Stork and Devon Hayakawa, with Morgan DiFonzo, choreographer; Kory Danielson, music director, conductor and supervisor; Jeffrey D. Kmiec, scenic designer; Izumi Inaba, costume designer; Greg Hofmann, lighting designer; Adam Rosenthalsound designer; Mike Tutaj, projection designer; Katie Cordts, wig, hair and makeup designer; Aimee Plant, properties designer; Ethan Deppe, electronic music designer; Britta Lynn Schied, associate director; Celia Villacres, associate music director and associate conductor; Matty Bettencourt, associate choreographer; Matt Deitchman, orchestra reductionist; Emma Rund and James Hayakawa, dramaturgs; Kendra Thulin, Dialect Coach; Greg Geffrard, intimacy director; Bailey O’Neil, young performer supervisor; Sean McNeely, orchestra contractor; Jinni Pike, stage manager; and Emma Franklin and Lanita VanderSchaaf, assistant stage managers.

Trent Stork (co-director, they/them) is Paramount’s Artistic Producer and Casting Director. Stork directed Paramount’s Chicago regional premiere of Come From Away, its circus-inspired production of Cats, and Paramount’s Chicago regional premiere of Disney’s Frozen the Broadway Musical, along with Billy ElliotCharlie and the Chocolate Factory and School of Rock. They also won their first Jeff Award, Director-Musical-Large, for Paramount’s Kinky Boots in 2022. 

Devon Hayakawa (co-director, any pronouns) has collaborated with Stork on several productions including as associate director and dramaturg of Come From Away, associate director of Cats, and assistant director of Disney’s Frozen. They were also the dramaturg for Million Dollar Quartet and What the Constitution Means to Me. Hayakawa has also performed on the Paramount stage, including playing Veruca Salt in Charlie and the Chocolate Factory, Joan in Fun Home and in the Waitress ensemble. They’ve also worked on stage and off at Chicago Shakespeare Theater, Goodman, Drury Lane and Remy Bumppo.

South Pacific is based on Tales of the South Pacific, James Michener’s collection of short stories, and features music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Oscar Hammerstein II and Joshua Logan. It opened on Broadway at the Majestic Theatre on April 7, 1949, starring Mary Martin, Ezio Pinza and Juanita Hall. South Pacific received the 1950 Pulitzer Prize for Drama, and for the first time the committee included a composer in the drama prize. It also received ten Tony Awards, a Grammy Award and countless other accolades. For years the second-longest running show in Broadway history, South Pacific has proven itself a classic in countless productions around the world. It was adapted onscreen in the 1958 film starring Rossano Brazzi and Mitzi Gaynor and in a 2001 made-for-television film starring Glenn Close and Harry Connick, Jr.

Paramount Theatre’s production of South Pacific is sponsored by Closets by Design and Sikich. Broadway Series sponsors are the Dunham Foundation, BMO, Illinois Arts Council and the City of Aurora.

The Chicago premiere of Amy Herzog’s new version of Henrik Ibsen’s An Enemy of the People, directed by TimeLine Company Member Ron OJ Parson, is the long-awaited inaugural production at TimeLine Theatre’s new home at 5035 N. Broadway in Chicago. Previews start May 6. Performances run through June 7. Single tickets are on sale now. For tickets and information, call the TimeLine Box Office at (773) 281-8463 x1 or visit timelinetheatre.com.

Herzog’s thunderous new version of Ibsen’s historic masterwork, the Tony Award-nominated talk of Broadway last season, brings a 144-year-old literary classic forward to today, speaking directly to our times about what it means when citizens stand up to power.  

When a respected doctor in small-town Norway makes a deadly discovery that threatens the health of the entire village, he raises the alarm. But as local leaders—including his brother, the mayor—scramble to protect their own interests, the truth becomes inconvenient, and the doctor finds himself the target of the very community he’s trying to protect. Winner of the 2024 Drama Desk Award for Outstanding Adaptation, this vibrant new version of An Enemy of the People asks: what happens when doing the right thing means losing everything? 

An Enemy of the People premiered on Broadway in March 2024 in a star-studded and headline-grabbing production directed by Sam Gold and featuring Jeremy Strong (Succession) and Michael Imperioli (The Sopranos). Hailed by The New York Times as “crackling and persuasive … a bitter satire of local politics that soon reveals itself as a slow-boil tragedy of human complacency,” Herzog’s streamlined new version of An Enemy of the People is “brilliant” (The Daily Beast) and “a rousing adaptation of a story that carries a discomforting contemporary relevance” (The Guardian).

To inaugurate its new Uptown home, TimeLine’s eight-person cast features five TimeLine Company Members: Will Allan (he/him) as Dr. Thomas Stockmann, Behzad Dabu (he/him) as Peter Stockmann, Charles Andrew Gardner (he/him) as Captain Horster, Anish Jethmalani (he/him) as Aslaksen, and David Parkes (he/him) as Morten Kiil. Rounding out the cast are Kenneth Hamilton (he/him) as Billing, Grayson Kennedy (he/him) as Hovstad and Campbell Krausen (she/her) as Petra Stockmann, all making their TimeLine debuts.

The production team for An Enemy of the People includes Amy Herzog (Adapter, she/her), Henrik Ibsen (Playwright), Ron OJ Parson (Director, he/him), John Culbert (Scenic Designer, he/him), Christine Pascual (Costume Designer, she/her), Brandon Wardell (Lighting Designer, he/him), Nicolas Bartleson (Properties Designer, he/him), André Pluess (Sound Designer, he/him), Maren Robinson (Dramaturg, she/they), Dina Spoerl (Dramaturgical Display Designer, she/her), and Olivia Sullam (Stage Manager).

“Capping off our 29th season, we’re celebrating an incredible milestone with An Enemy of the People as the inaugural production in our new home in Uptown,” said TimeLine Artistic Director PJ Powers. “This fresh adaptation of a classic play is a timely and powerful story to christen our new theatre. Its tale of speaking truth to power and risking everything to bring the facts to light feels incredibly resonant in this moment. And we’ve assembled a stellar team of artists to bring it to life, including five TimeLine Company Members—the most who have appeared together at any point in the past decade. With this provocative play and knockout cast, we’re proud to embark on TimeLine’s thrilling next chapter.”

PERFORMANCE SCHEDULE

Previews of The Enemy of the People are Wednesday, May 6 through Friday, May 8 at
8 p.m., Saturday, May 9 at 2 p.m. and 7 p.m., Sunday, May 10 at 4 p.m., and Tuesday, May 12 and Wednesday, May 13 at 7 p.m. 

 Gala Opening Night is Friday, May 15, starting at 5 p.m. with a pre-show seated dinner and VIP cocktail reception, performance at 8 p.m., followed by an after-party and reception. Regular performances continue through June 7: Wednesdays and Thursdays at 7 p.m.; Fridays at 7:30 p.m.; Saturdays at 2 p.m. and 7:30 p.m.; and Sundays at 2 p.m. Exception: No 7:30 p.m. on Saturday, May 16.

BUYING TICKETS

Single tickets to An Enemy of the People are on sale now, priced $40–$95. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x1. 

Preview tickets are $40 - $60. Single tickets to regular performances are $62 - $95. Prices vary based on performance date and seat location. Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $30 tickets to U.S. military personnel, veterans, first responders, and their spouses and family. 

All listed prices are inclusive of fees.

Ticket buyers ages 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Discounted rates for groups of 10 or more are also available. Visit timelinetheatre.com/venues/timeline-theatre for more about available discounts.

LOCATION/PARKING/TRANSPORTATION

TimeLine’s new home is located at 5035 N. Broadway (at Argyle) in the heart of Chicago’s Uptown community.

TimeLine’s new home is easily reached via public transportation, located steps away from the CTA Red Line stop at Argyle. The #36 Broadway bus stops at Broadway and Argyle, the #151 Sheridan stops three blocks east at Argyle, and the #81 Foster stops at Broadway and Foster, just two blocks north.

In addition, convenient parking is a new hallmark for TimeLine Theatre. The self-park garage at 5051 N. Broadway, two doors north of the theatre, offers up to 6 hours of parking for $10, with validation. Ask for a validation sticker from TimeLine’s Audience Services staff. The self-park surface lot at 5017 N. Winthrop in the heart of Asia on Argyle also offers discounted parking for up to 6 hours for just $7 via an app and QR code.

Nearby street and metered parking is available but limited. Please note some streets are zoned for resident parking only. Visit for additional information, including driving directions and nearby dining recommendations. 

DISCUSSIONS

Pre-Show Discussions: Starting one hour before the performance, a 30-minute introductory conversation will be hosted by a TimeLine Company Member and the dramaturg on Wednesday, May 20.

Post-Show Discussions: A brief, informal post-show discussion hosted by a TimeLine Company Member and featuring the dramaturg and members of the production team on Thursday, May 21; Sunday, May 24; and Wednesday, May 27.

Sunday Scholars Panel Discussion: A one-hour panel discussion featuring experts on the themes and issues of the play in a moderated discussion, following the performance on Sunday, May 31.

Company Member Discussion: A post-show discussion with the team of artists who choose TimeLine’s programming and guide the company’s mission on Thursday, June 4.

All discussions are free and open to the public. 

ACCESSIBILITY

Captioned Performances: Open-captioned performances with a text display of words and sounds heard during performances are Friday, May 29 at 7:30 p.m. and Saturday, May 30 at 2 p.m.

Audio Described Performance: The performance on Saturday, June 6 at 2 p.m. will feature narration about visual elements of the production around the dialogue, available for individual patrons via headphones.

IT’S TIME: ABOUT TIMELINE’S NEW HOME

In 1997, six graduates of The Theatre School at DePaul University each pitched in $50 to launch a new theatre company focused on plays inspired by history that connect to today’s social and political issues. Over nearly 30 years, largely operating out of a modest, 99-seat black box theater in a Lakeview East church, TimeLine grew to be a vital force in Chicago’s arts scene.

Building on this legacy, after nearly eight years of preparation including approximately 18 months of construction, TimeLine Theatre has successfully repurposed a 1910s Reebie and Brother warehouse in Chicago’s Uptown community into a vibrant new cultural destination and the city’s newest live theater space.

TimeLine Theatre’s new home spans five stories and 33,600 square feet (combining 21,000 square feet of new construction with 12,600 square feet of adaptive reuse of portions of the former warehouse). Today, 5035 N. Broadway is home to a new, flexible, intimate 250-seat black box theatre that can be re-imagined for every show; exhibit galleries that enhance the production experience; dedicated space for Living History students, education programming, and community gathering; expanded social spaces, including a bar, café and patio; a spacious and visible rehearsal room that invites a view of the art as it’s being made; and office and production space for TimeLine’s growing staff.

TimeLine’s sleek facade brings new visual excitement to the Broadway streetscape with a 40-foot vertical blade marquee inspired by historic marquees in the neighborhood including the Uptown Theatre and Aragon Ballroom. A green storefront canopy will nod to nearby Uptown landmarks including Sun Wah BBQ and the Green Mill. A prominent glass curtain wall completes the Broadway facade, providing dramatic views into interior spaces that highlight the cultural activity inside. The new TimeLine Theatre is located one block from the new Argyle CTA Red Line station, and has convenient covered parking steps away.

Since launching It’s Time: The Campaign for TimeLine’s New Home, TimeLine has successfully raised more than $42.9 million toward the approximately $46 million project cost, including $12.9 million in public support ($2.9 million from the State of Illinois, $10 million from the City of Chicago), and funds from more than 200 generous individual donors.

Monday, 23 March 2026 12:00

OCTET - RAVEN THEATRE - Through June 7th

Chicago's Raven Theatre Company today announced the cast and production team for Dave Malloy's OCTET, directed by Keira Fromm and running April 30 - June 7, 2026 (previews April 30 - May 3). Tickets ($30 - $45) on sale at www.raventheatre.com


In an anonymous meeting room, a group of people —always eight—gather to sing. Best known for the Broadway hit NATASHA, PIERRE, & THE GREAT COMET OF 1812, Dave Malloy's  OCTET uses chamber-inspired a cappella music to explore the total impact of life online. Hailed by the New York Times as "the most original and topical musical of the year" for its 2019 Off-Broadway premiere, this inventive and acutely relevant piece reflects the perils of the digital age.


"OCTET is the perfect first musical for Raven," says Executive Artistic Director Sarah Slight. "It tackles the urgent topic of technology addiction in a way that feels right at home on our stage. With an entirely a capella score, OCTET offers something our audience has never experienced here before. It is an extraordinary show to bring to Chicago."

The cast features Joryhebel Ginorio (Velma), Neala Barron (Jessica), Grace Steckler (Karly), Teressa LaGamba (Paula), Elliot Esquivel (Toby), Jordan Golding (Marvin), Sam Shankman (Henry), and Jonah D. Winston (Ed). Understudies are Dani Pike (u/s Jessica), Collin Quinn Rice (u/s Henry), Diana Marilyn Alvarez (u/s Paula), Caitlyn Cerza (u/s Karly), Danny Bennett (u/s Ed), Jonah Cochin (u/s Toby), Joe Giovannetti (u/s Marvin), and Mizha Lee Overn (u/s Velma).


The production team, led by director Keira Fromm, includes JC Widman (Stage Manager),  Nick Sula (Music Director), Laura Savage (Choreographer), Milo Bue (Scenic Designer), Paloma Locsin (Props Coordinator), Maegan Pate (Costume Designer), Maximo Grano de Oro (Lighting Designer), Christopher Kriz (Sound Designer), Ruby Lowe (Master Electrician), Lucy Whipp (Production Manager), Mads Wren (Assistant Director), Faith Locke (Assistant Stage Manager), Hannah Kwak (Assistant Sound Designer), Emmitt Socey (Assistant Master Electrician), Wynn Lee (Associate Scenic Designer), and Catherine Miller (Dramaturg, Casting Director).


Raven Theatre's OCTET runs April 30 - June 7, 2026, with previews April 30 - May 3. Performances are held Thursdays, Fridays, and Saturdays at 7:30 p.m., and Sundays at 3 p.m. on the Johnson Stage at Raven Theatre, 6157 N. Clark St. Tickets are $45, with discounts available for students, military, and industry ($30 previews); to purchase tickets and for more information about Raven Theatre's 43rd season, visit www.raventheatre.com

OCTET

Written By: Dave Malloy

Directed By: Keira Fromm

Cast: Joryhebel Ginorio (Velma), Neala Barron (Jessica), Grace Steckler (Karly), Teressa LaGamba (Paula), Elliot Esquivel (Toby), Jordan Golding (Marvin), Sam Shankman (Henry), and Jonah D. Winston (Ed). Understudies are Dani Pike (u/s Jessica), Collin Quinn Rice (u/s Henry), Diana Marilyn Alvarez (u/s Paula), Caitlyn Cerza (u/s Karly), Danny Bennett (u/s Ed), Jonah Cochin (u/s Toby), Joe Giovannetti (u/s Marvin), and Mizha Lee Overn (u/s Velma).

Production Team: JC Widman (Stage Manager),  Nick Sula (Music Director), Laura Savage (Choreographer), Milo Bue (Scenic Designer), Paloma Locsin (Props Coordinator), Maegan Pate (Costume Designer), Maximo Grano de Oro (Lighting Designer), Christopher Kriz (Sound Designer), Ruby Lowe (Master Electrician), Lucy Whipp (Production Manager), Mads Wren (Assistant Director), Faith Locke (Assistant Stage Manager), Hannah Kwak (Assistant Sound Designer), Emmitt Socey (Assistant Master Electrician), Wynn Lee (Associate Scenic Designer), and Catherine Miller (Dramaturg, Casting Director).

Dates: April 30 - June 7, 2026 (Previews TBD)

Schedule: Thursdays, Fridays, and Saturdays at 7:30 p.m.; Sundays at 3 p.m.

Location: Raven Theatre (6157 N. Clark St.)

Tickets: General Admission: $45; Student, Military, and Industry tickets $20. Previews $30.

Box Office: www.raventheatre.com 

Remy Bumppo Theatre Company is proud to announce four of the six titles for the return of its Readings on Ravenswood series, curated by Artistic Director Marti Lyons and Creative Producer Christina Casano. Readings on Ravenswood, now in its third year, begins May 4 and continues through June 15 on Monday nights at Remy Bumppo’s rehearsal space, 1751 W. Grace. This reading series introduces audiences to relevant plays, both old and new, and includes post-reading conversations that reflect the themes of the plays. Doors open at 6:30 p.m. and readings begin at 7 p.m. Readings on Ravenswood are free to attend with a suggested donation. The VIP package for $125 includes admission to all six readings and recognition in Remy Bumppo’s program and on its website. Reservations and VIP Packages for the 2026 readings are now available RemyBumppo.org

“As we continue our 30th Anniversary season, I look forward to welcoming back audiences to our Readings on Ravenswood series,” said Artistic Director Marti Lyons. “Our specially curated series gives attendees an insight into some of the works we are excited about at Remy Bumppo. I am thrilled to share these plays, featuring our ensemble, this spring in our home on Ravenswood.”

Creative Producer Christina Casano added, “I can’t wait to hear what audiences and artists think about the scripts we’ve programmed. They are all sure to generate exciting conversations and Readings on Ravenswood is a special opportunity to get to hear immediate responses and reflections.”

All Readings on Ravenswood take place at Remy Bumppo’s rehearsal space at 1751 W. Grace. Doors open at 6:30 p.m. and readings begin at 7 p.m. The 2026 series currently includes the following:

Monday, May 4 

Arcadia 

By Tom Stoppard

Directed by Artistic Director Marti Lyons

This brilliant play moves smoothly between 1809 and the present as it explores the nature of truth and time, the difference between classical and romantic temperaments and the disruptive influence of sex on our life orbits - the attraction Newton left out.

Monday, May 11

Furlough’s Paradise

by a.k. payne

In this radiant, nuanced two-hander – a staggering plea for empathy and connection – cousins Sade and Mina struggle to reconnect after returning home for a funeral.

Monday, May 18

Laughs in Spanish

By Alexis Scheer

This fast-paced, cafecíto-induced comedy – set at Art Basel, the annual high-stakes art fair in Miami – is a hilarious look at art and success... and mothers and daughters. 

Monday, June 1 

TBA 

Monday, June 8 

TBA 

Monday, June 15

Marjorie Prime 

By Jordan Harrison

Directed by James Bohnen 

In this richly spare, wondrous new play, Jordan Harrison explores the mysteries of human identity and the limits – if any – of what technology can replace.

Additional titles, directors and cast to be announced. 

ABOUT REMY BUMPPO THEATRE COMPANY

Remy Bumppo Theatre Company expands and enriches their community’s view of the world, and their own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, Remy Bumppo authors a more humane culture that listens to, and seeks to understand, the voices, the ideas and the stories of one another. 

Comedy Dance Chicago is bringing their family-friendly show to The Second City! (Fun fact: this group was born out of a Second City Training Center class back in 2014). The show is a high-energy laugh-riot for ages 5 to 95. Comedy Dance Chicago's joyful mashup of sketch comedy, physical humor, music, and dance is sure to have you (and your kids and their grandparents) smiling, laughing, and bopping in your seats! These dancin' fools bring relatable situations to life... anything from the importance of hugs to a good old-fashioned staring contest. And who knows, you might even find yourself on stage! Don't miss this joy-filled experience, perfect for anyone in need of a laughter boost.

People often ask "What is Comedy Dance?" Here's what audiences say:

     "It's one of the funniest, most enjoyable hours you'll spend on a Friday night."
-Chicago Reader

     "My face hurts from smiling!" & "That was so joyful!"

     ""We had SO much fun and Olivia giggled her little head off the whole time."
            -Blair (parent)

Comedy Dance Chicago presents HAPPY DANCE, Saturdays March 21, April 4, April 18, May 2, May 16, May 30 at 2:00pm at The Second City in the e.t.c Theater (230 W. North Ave., Piper's Alley, Chicago, IL). Show runs 60 minutes with no intermission. Tickets are $35 for adults and $29 for kids.

Notable credits include: "8-BITS" and "Oh, the Mundanity!" at The iO Theater; Toronto Sketch Comedy Festival, Charlotte's Queen City Comedy Experience; San Francisco Sketchfest; Laugh Out Loud Schaumburg; I AM Fest at House of Blues; Chicago Sketch Comedy Festival; Chicago Women's Funny Fest, Stevenson High School Odyssey Festival; among others. 

About Comedy Dance Chicago

Comedy Dance Chicago. A different kind of comedy show. A different kind of dance show. Unique entertainment for Chicago and beyond. But... what is comedy dance?! In Layman's terms: they dance, you laugh. Still confused? You'll just have to see it.


Comedy Dance Chicago has been delighting and entertaining audiences for over 10 years.  They are a turnkey option for performing arts venues, K-12 schools, colleges and universities, and corporate events looking to add joy to their next event. Company members bring a range of comedy and dance styles to the show and have trained with the Second City Training Center, iO Chicago, American Theatre Conservatory, Accademia dell'Arte, among others. Having performed at the Chicago Sketch Comedy Festival (Stage 773), iO Chicago, Dance Chicago (The Athenaeum Theatre), Woodstock Opera House, the Association of Applied and Therapeutic Humor Conference, and (that one time) at the House of Blues, Comedy Dance Chicago is thrilled to share laughs and spread the love of comedy dance to the rest of the US. 

The Joffrey Ballet has completed a major refresh of its Chicago-based home, The Joffrey Tower (10 E. Randolph Street), featuring interiors by Rubiostudio, and vivid environmental graphics by acclaimed artist & designer Bob Faust, renowned for crafting work with typography at its core, and showcasing visually-stunning examples of Concrete Poetry, courtesy of the national Poetry Foundation, also based in Chicago.  Together, this interdisciplinary collaboration of art, design, architecture, dance, and poetry aims to re-imagine Joffrey Tower as both a home for ballet and a living work of art; creating an environment as inspiring and dynamic as the Company itself.

Under the direction of Joffrey President and CEO Greg Cameron, Joffrey leadership began re-thinking the environment of The Joffrey Tower post-COVID, aiming to create an integrated campus within the Tower’s four floors to strengthen engagement between the Company Artists, its Grainger Academy of The Joffrey Ballet students, Community Engagement students, and administrative personnel. Key elements of the resulting $2.5 million restoration, funded by generous Joffrey supporters, include the creation of an industry-leading Health and Wellness center and the installation of new Harlequin Wood Sprung Floors. The project also expanded the Tower’s Anne L. Kaplan Costume Shop, the Grainger Academy lobby, and administrative facilities, adding meeting rooms and workspaces.

“To support their work on stage, it is of the utmost importance that our Company Artists and students are taken care of off stage, so we sought for Joffrey Tower’s surroundings to be mindful of both the artists’ physical and mental wellbeing.  A great deal of attention was paid to providing leading-edge fitness equipment and spa facilities in our expansive new Health and Wellness Center, along with offering a variety of comfortable and vibrant spaces for our artists to both individually renew and to congregate for camaraderie,” offered Cameron.

To carry out this first renovation since the Tower opened in 2008, the Company enlisted architect (and Joffrey Board Director) Elva Rubio and Corporate Concepts Inc. to facilitate the interior architecture. Rubio, founder of Chicago-based Rubiostudio, has over 30 years of experience in various practice fields, including urban design, interior design, design education, communications design strategy, and the built environment. 

“My firm clearly understood the assignment put forth by the Joffrey Board: to design a practical and functional floor plan that brings the administrative and artistic functions together, enabling a great exchange of energy and ideas. Given my 20 years as a supporter of the Joffrey, it has been an honor to help deliver a space that serves all the Company’s needs, and I’d like to think our design has created a ‘wonderful chaos’ of interactivity,” said Rubio.

Upon completion of the structural foundation, and with over 6,000 sq. ft. of wall space as his canvas, Faust then dramatically embellished walls throughout Joffrey Tower with his signature “Wallworks,” larger-than-life kaleidoscopically re-mixed photographs. Seeking to interpret themes of movement, the origin photos – now remixed in sizes up to 50 x 400 feet – ranged in subject from Joffrey rehearsal and performance shots to behind-the-scenes costumes and scenic props.

“Working closely with Elva and her team, the ‘Wallworks’ installation for the Joffrey is unique in that she made the decision early on to design the space, knowing there would be art activations throughout. Many of the usual design details were omitted in exchange for clean white space. I sourced imagery, not usually celebrated but no less critical to performance making, for its details, colors, and textures to create ever-evolving and ‘moving’ patterns across these key walls. Visitors will encounter fragments of costumes, props, backstage mechanicals, and even former advertising remixed into contemporary patterns to bring a definable visual identity to Joffrey Tower,” added Faust.

And, in furthering the Joffrey’s commitment to Chicago artists and culture, Faust’s colorful wall installations are accompanied by inspirational lines of poetry, designed as site-specific Concrete Poems, works that are as much a piece of visual art as they are poems.  Curated as part of a new collaboration between the Joffrey and the Chicago-based Poetry Foundation, incorporated into the environment are excerpts of work by six local poets: Alfonso CarraraTarfia FaizullahAngela JacksonJosé OlivarezAnne Stevenson, and the former (and inaugural) Poet Laureate of Chicago avery r. young.  

The Joffrey Ballet concludes its 2025-2026 70th Anniversary Season with the highly anticipated Chicago Premiere of Yuri Possokhov’s Eugene Onegin, a richly layered and deeply human exploration of love, loss, and redemption inspired by Alexander Pushkin’s poetic novel. From the acclaimed creative team behind Anna Karenina, Eugene Onegin—a co-production with San Francisco Ballet—features an original score by the award-winning composer, performer, and conductor Ilya Demutsky and an immersive set design that plunges audiences into the fragility of the human heart. Eugene Onegin is presented for ten performances only at the historic Lyric Opera House, 20 North Upper Wacker Drive in downtown Chicago, from June 4 to 14, 2026.

ABOUT THE JOFFREY BALLET
The Joffrey Ballet is one of the premier dance companies in the world today, with a reputation for boundary-breaking performances for 70 years. The Joffrey repertoire is an extensive collection of all-time classics, modern masterpieces, and original works.

Founded in 1956 by pioneers Robert Joffrey and Gerald Arpino, the Joffrey remains dedicated to artistic expression, innovation, and first-rate education and engagement programming. The Joffrey Ballet continues to thrive under The Mary B. Galvin Artistic Director Ashley Wheater MBE and President and CEO Greg Cameron.

The Joffrey Ballet is grateful for the support of its 2025–2026 70th Anniversary Season Sponsors: The Abbott Fund, Alphawood Foundation Chicago, Daniel and Pamella DeVos Foundation, Gallagher, The Florian Fund, Anne L. Kaplan, and Robert and Penelope Steiner Family Foundation. Live Music Sponsors Sandy and Roger Deromedi, Sage Foundation, and The Marina and Arnold Tatar Fund for Live Music. The Joffrey also acknowledges our Season Partners: ATHLETICO and Chicago Athletic Clubs.

For more information on The Joffrey Ballet and its programs, visit joffrey.org. Connect with the Joffrey on FacebookInstagram, and LinkedIn.

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, proudly announces its inaugural season in the company's new home at 1012 Church Street in Downtown Evanston. With its own venue built from the ground up, Northlight will open its doors with a celebratory gala planned for August 15, 2026, and the first public performance on September 9, 2026.  Northlight will welcome subscribers, supporters and the public in advance with opportunities to explore and celebrate the new venue.

The five-play 2026-2027 season, including three world premieres, opens with Jeffrey Hatcher's The Front Page, a world premiere adaptation of the rapid-fire classic comedy that also inspired the 1940 film His Girl Friday. The season continues with the world premiere of Lauren M. Gunderson's new love story All the World, followed by The American Five by Chess Jakobs, about the planning of the March on Washington and the speech that inspired Americans to act toward their shared vision of equality and justice for all. Northlight will then present the 2024 Pulitzer Prize Finalist Here There Are Blueberries by Moisés Kaufman and Amanda Gronich. The season concludes with the world premiere of Art Manke's Pearl's in the House about the life and music of trail-blazer Pearl Bailey.

Subscriptions to the 2026-2027 Northlight Season are available at northlight.org/subscribe or 847.563.8400. With its wide range of ticket prices, discounted subscription packages and complimentary parking at the 1800 Maple Garage, Northlight remains of one of the best theatrical values in Chicagoland. Package options include traditional 5-Play Subscriptions and 4-Ticket Flex Passes.

The new state-of-the-art facility is a major component in the arts and cultural scene in Chicagoland and the North Shore and features approximately 285 comfortable seats with excellent sight lines, state-of-the-art sound and lighting systems, a dedicated box office and contemporary bar/café in the lobby, a second floor rehearsal and event space, and lounge and gathering areas on the first and second floors. Located in the heart of downtown, with easy, nearby access to parking and public transportation via CTA and Metra, Northlight will contribute to a vibrant local economy and will serve as an economic driver for downtown Evanston.

Artistic Director BJ Jones comments, "Opening our brand-new theatre in our founding hometown is a truly special moment. I cannot begin to list the artists, ticket buyers and donors who, over 50 years, delivered us to this moment. In their honor we offer a season rendered by the finest of Chicago's artists, beginning with a refreshed Chicago classic, and continuing with world class work, presented through a local lens."

Executive Director Timothy J. Evans adds, "After five decades, Northlight Theatre finally has a home of its own. A home in the heart of a revitalized downtown Evanston entertainment district steps from public transportation, parking, restaurants, shops, and Northwestern University. Our long-awaited homecoming to Evanston will transform the theatre landscape on the North Shore and Chicago. The New Northlight will serve as a vital place for exchanging ideas, storytelling, community gathering and a long-needed cultural hub for the many communities we serve. We can't wait to share it." 

The 2026-2027 season includes:

The World Premiere of

The Front Page

Adapted by Jeffrey Hatcher

From the original by Ben Hecht and Charles MacArthur

Directed by BJ Jones

Featuring Kate Fry and Timothy Edward Kane

September 9 - October 18, 2026

A world premiere adaptation of the rapid-fire classic comedy that also inspired the 1940 film His Girl Friday.

In a 1930s Chicago press room, wise-cracking reporters are abuzz with the latest news: ace reporter Hildy Johnson is quitting her job and getting married. Editor Walter Burns has no intention of letting her go– out of the newsroom, or into the arms of another man. When a death row convict manages a daring escape, Walter wrangles Hildy into covering one last irresistible story, a tangle of rival reporters, crooked politicians, and a scoop too big to ignore!

The World Premiere of

All the World

By Lauren M. Gunderson

Directed by Jessica Thebus

November 11 - December 20, 2026

'Tis the season for a love story! Gunderson's signature blend of romance, wit, and bittersweet beauty shines in this world premiere.


Two actors find themselves in an ever-shifting relationship during the most emotionally charged time of the year: the holidays. Set amidst the backstages and quick changes of the world's most beloved seasonal classics, they try to keep the mess of their private lives offstage, whether they're falling in love or falling apart. Surprising, heartbreaking, and hopeful, All the World reminds us why—year after year—we keep stepping into the light, telling the story, and leaving it all on the stage.

The American Five

By Chess Jakobs

Directed by Mikael Burke

February 3 - March 3, 2027

"In rousing resistance to injustice and inspiring cohesion and connection, this play is a triumph of doing what it's about!" – DC Theater Arts

"I have a dream..." The words that galvanized a nation weren't written alone. Through late nights and shared meals, differing approaches but collective dreams, Dr. Martin Luther King Jr., Coretta Scott King, Bayard Rustin, Stanley Levison, and Clarence B. Jones plan the March on Washington and craft a speech to inspire Americans to act toward their shared vision of equality and justice for all. On their way to shaping a defining moment in the civil rights movement, five individuals became a family. Together, they became history.

Here There Are Blueberries
By Moisés Kaufman and Amanda Gronich

Directed by Charles Newell

April 7 - May 17, 2027

2024 Pulitzer Prize Finalist | 2025 Lucille Lortel Award Winner for Outstanding Play | Two-time Helen Hayes Award Winner | Named one of the "10 Best Plays of 2024" by The Wall Street Journal

In 2007, a mysterious album featuring Nazi-era photographs arrived at the desk of a U.S. Holocaust Memorial Museum archivist. As curators unravel the shocking truth behind the images, the album soon makes headlines and ignites a debate that reverberates far beyond the museum walls. Based on real events, Here There Are Blueberries tells the story of these historical photographs—what they reveal about the perpetrators of the Holocaust, and our own humanity.

The World Premiere of

Pearl's in the House

By Art Manke

Directed by Kenneth L. Roberson

Featuring E. Faye Butler

June 7 - July 18, 2027

The life and music of trail-blazer Pearl Bailey take center stage in this compelling world premiere.

Legendary performer Pearl Bailey navigated the waters of being a Black woman in America the only way she knew how – through her music. On the eve of a scheduled performance in the Reagan White House she agrees to an interview, not expecting the ambitious journalist who calls into question some of her more controversial choices. The personal and political come into sharp conflict as the savvy entertainer reveals her multi-faceted life through flashbacks and some of her most memorable songs.

Subscriptions to the 2026-2027 Northlight Season are available at northlight.org/subscribe or 847.563.8400. With its wide range of ticket prices, discounted subscription packages and complimentary parking at the 1800 Maple Garage, Northlight remains of one of the best theatrical values in Chicagoland. Package options include traditional 5-Play Subscriptions and 4-Ticket Flex Passes.

Traditional Subscriptions range in price from $180 to $325. See the entire 5-Play inaugural season with Northlight's most popular package. Returning subscribers can receive a 10% Founders Discount when they subscribe by May 15, 2026. Seniors 65+ receive $10 off 5-Play Subscriptions on Wednesday matinees or evenings. The Senior Discount applies to Premium or Standard seating on full price subscriptions. Discounts may not be combined.

Flex pass options are $159-$295. Receive four ticket credits to use how you please: see four shows, attend two shows as a couple, or bring three friends to one performance. Flex passes can be booked up to one hour before curtain and can also be purchased online.

Curtain times are: Wednesdays at 2:00 p.m. and 7:30 p.m.; Thursdays at 7:30 p.m.; Fridays at 7:30 p.m.; Saturdays at 2:00 p.m. and 7:30 p.m.; and Sundays at 2:00 p.m.

The complete 2026-2027 season will be performed in Northlight's new home at 1012 Church Street in Downtown Evanston.

Northlight is supported in part by generous contributions from BMO; Bulley & Andrews; Byline Bank; ComEd, An Exelon Company; Dr. Scholl Foundation; Eckenhoff Saunders Architects, Inc.; Evanston Community Foundation; Franklin Square Foundation; Full Circle Foundation; Grumman Butkus Associates; Hagerty Consulting; Illinois Arts Council, a state agency; John R Halligan Charitable Fund; Kirkland & Ellis; LionBird; Lloyd A. Fry Foundation; Mabadi Realty; Mammel Family Foundation; Modestus Bauer Foundation; Northwestern University; Paul M. Angell Family Foundation; The Revada Foundation of the Logan Family; Patrick G. and Shirley W. Ryan Foundation; The Schubert Foundation, Inc.; SLOAN; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; Tom Stringer Design Partners.

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Founded in 1974 with its inaugural season in 1975-76, the organization has mounted over 250 productions, including more than 45 world premieres. Northlight has earned 238 Joseph Jefferson Award nominations and 37 Awards, as well as 11 Edgerton Foundation for New Play Awards. As one of the area's premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

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